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This volume explores the meaning of the architectural creative act, following the dynamics of the relationship between creator-creative act-creation and the way in which architecture is defined over time, as a creative act both material and symbolic. Two protagonists, Antonio Averlino (Filarete) and Christopher Alexander, are singled out under the guiding concepts of poíēsis and poeta faber. The book initiates a dialogue over time between their works and concepts, engaging two cultures, the Renaissance and the contemporary, symbolically chosen for their importance in redefining the profession through the prism of its relation to the architectural creative act. The core idea revolves around rediscovering the humanistic approach to architecture in and for the contemporary context, and using it in order to better understand architectural creation. This text appeals to students and researchers working in the history and theory of architecture, product, industrial design, and semiotics.
studies in History and Theory of Architecture is a peer-reviewed journal, with both online and print versions and ISSNs. It is published annually by the “Sanda Voiculescu” Department of History & Theory of Architecture and Heritage Conservation at “Ion Mincu” University of Architecture and Urbanism in Bucharest and covers a wide range of topics related to architectural and urban history and theory, focusing not only on Romania, but also on relevant regional and international issues.
The book aims to introduce a research concept called "Numanities", as one possible attempt to overcome the current scientific, social and institutional crisis of the humanities. Such crisis involves their impact on, and role within, society; their popularity among students and scholars; and their identity as producers and promoters of knowledge. The modern western world and its economic policies have been identified as the strongest cause of such a crisis. Creating the conditions for, but in fact encouraging it. However, a self-critical assessment of the situation is called for. Our primary fault as humanists was that of stubbornly thinking that the world’s changes could never really affec...
This updated second edition of Acute Ischemic Stroke: Imaging and Intervention provides a comprehensive account of the state of the art in the diagnosis and treatment of acute ischemic stroke. The basic format of the first edition has been retained, with sections on fundamentals such as pathophysiology and causes, imaging techniques and interventions. However, each chapter has been revised to reflect the important recent progress in advanced neuroimaging and the use of interventional tools. In addition, a new chapter is included on the classification instruments for ischemic stroke and their use in predicting outcomes and therapeutic triage. All of the authors are internationally recognized experts and members of the interdisciplinary stroke team at the Massachusetts General Hospital and Harvard Medical School. The text is supported by numerous informative illustrations, and ease of reference is ensured through the inclusion of suitable tables. This book will serve as a unique source of up-to-date information for neurologists, emergency physicians, radiologists and other health care providers who care for the patient with acute ischemic stroke.
Architects, however, tend to deny this, fearing contingency and preferring to pursue perfection.
Edusemiotics addresses an emerging field of inquiry, educational semiotics, as a philosophy of and for education. Using "sign" as a unit of analysis, educational semiotics amalgamates philosophy, educational theory and semiotics. Edusemiotics draws on the intellectual legacy of such philosophers as John Dewey, Charles Sanders Peirce, Gilles Deleuze and others across Anglo-American and continental traditions. This volume investigates the specifics of semiotic knowledge structures and processes, exploring current dilemmas and debates regarding self-identity, learning, transformative and lifelong education, leadership and policy-making, and interrogating an important premise that still haunts c...
In Clinical Bioinformatics, Second Edition, leading experts in the field provide a series of articles focusing on software applications used to translate information into outcomes of clinical relevance. Recent developments in omics, such as increasingly sophisticated analytic platforms allowing changes in diagnostic strategies from the traditional focus on single or small number of analytes to what might be possible when large numbers or all analytes are measured, are now impacting patient care. Covering such topics as gene discovery, gene function (microarrays), DNA sequencing, online approaches and resources, and informatics in clinical practice, this volume concisely yet thoroughly explores this cutting-edge subject. Written in the successful Methods in Molecular Biology series format, chapters include introductions to their respective topics, lists of the necessary materials and reagents, step-by-step, readily reproducible protocols, and notes on troubleshooting and avoiding known pitfalls. Authoritative and easily accessible, Clinical Bioinformatics, Second Edition serves as an ideal guide for scientists and health professionals working in genetics and genomics.
This book is a unique attempt to systematize the latest research on all that music connotes. Musicological reflections on musically expressive content have been pursued for some decades now, in spite of the formalist prejudices that can still hindermusicians and music lovers. The author organizes this body of research so that both professionals and everyday listeners can benefit from it – in plain English, but without giving up the level of depth required by the subject matter. Two criteria have guided his choice among the many ways to speak about musical meaning: its relevance to performance, and its suitability to the teaching context. The legacy of the so-called art music, without an interpretive approach that links ancient traditions to our present, runs the risk of missing the link to the new generations of musicians and listeners. Complementing the theoretical, systematic content, each chapter includes a wealth of examples, including the so-called popular music.
Through speeches, articles and interviews, this book highlights some of the more significant considerations that have run in parallel with Vassilis Sgoutas' developments in architecture. It also includes a Random Diary, where the focus is not on what was said or written, but rather on experiences and thoughts that have emanated from events related to architects and to architecture. Although this book is a personal book, it also mirrors the parallel roads of many architects. Through its pages, glimpses can be caught of the UIA, a unique professional organisation that brings together the architects of the world in pursuit of common ideals and targets. Memory is our wealth. Having on record these texts and events helps us to rediscover how our priorities have changed, as well as how they differ across the globe. In reading between the lines, one will be able to gauge the legacy of action and inaction, and where architects, as individuals and as a profession, have had a positive influence on the advancement of causes. More than a mere history, this book is an awakening call