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Behind the Frontiers of the Real
This book offers a definition of the fantastic that establishes it as a discourse in constant intertextual relation with the construct of reality. In establishing the definition of the fantastic, leading scholar David Roas selects four central concepts that allow him to chart a fairly clear map of this terrain: reality, the impossible, fear, and language. These four concepts underscore the fundamental issues and problems that articulate any theoretical reflection on the fantastic: its necessary relationship to an idea of the real, its limits, its emotional and psychological effects on the receiver and the transgression of language that is undertaken when attempting to express what is, by definition, inexpressible as it is beyond the realms of the conceivable. By examining such concepts, the book explores multiple perspectives that are clearly interrelated: from literary and comparative theory to linguistics, via philosophy, science and cyberculture.
The Aesthetics of the Ephemeral
Analyzes theatrical texts and performances while providing political and historical mappings. In The Aesthetics of the Ephemeral, Jennifer Duprey examines five contemporary plays from Barcelona: Olors and Testament by Josep Maria Benet i Jornet, Antígona by Jordi Coca, Forasters by Sergi Belbel, and Temptació by Carles Batlle. She argues that in both the theatrical text and its performance an aesthetics of the ephemeral materializes that is related to specific manifestations of cultural and historical memory in Spain and Catalonia. These manifestations of memory include historical concerns such as the possibility of another form of justice in predicaments of violence after the Civil War, a...
Daring Adaptations, Creative Failures and Experimental Performances in Iberian Theatre
In this volume, we are particularly interested in approaching theatre and performance as a dynamic and evolving practice of continuous change, regeneration and cultural mobility. Neither the dramatic texts nor their stage versions should be viewed as finished products but as creative processes in the making. Their richness lies in their unfinished and never-ending potential energy and their openness to constant revision, rehearsal, revival, and collective enterprise. This edited collection aims to create a dialogue on the artistic processes implicated in the various ways of working with the play text, the staging practices, the way audiences and critical reception can impact a production, and the many lives of Iberian theatre beyond the page or the stage. That is, its cultural and social legacies.
The Role of Translators in Children’s Literature
This book offers a historical analysis of key classical translated works for children, such as writings by Hans Christian Andersen and Grimms’ tales. Translations dominate the earliest history of texts written for children in English, and stories translated from other languages have continued to shape its course to the present day. Lathey traces the role of the translator and the impact of translations on the history of English-language children’s literature from the ninth century onwards. Discussions of popular texts in each era reveal fluctuations in the reception of translated children’s texts, as well as instances of cultural mediation by translators and editors. Abridgement, adapt...
Fantastic Short Stories by Women Authors from Spain and Latin America
It includes introductions to the life and work of female authors who are not very well known in the Anglophone world due to the lack of translations of their works. This critical work with a feminist focus will provide a helpful framework for undergraduate and postgraduate students in the UK and US. A wide-ranging bibliography will be of great assistance to those looking to pursue research on the fantastic or on any of the specific writers and texts. This book is endorsed by the British Academy as part of the project Gender and the Fantastic in Hispanic Studies, and by an established international network, namely the Grupo de Estudios sobre lo Fantástico, based in the Universidad Autónoma de Barcelona.
The Primary English Encyclopedia
‘Do you know your diphthongs from your digraphs? Are you au fait with all the main reading programmes published in the UK? And can you really tell the difference between a legend, a myth and a fable? If you have any doubt about saying yes to any of these questions, fear not; the answers are all in ‘The Primary English Encyclopedia’. This fantastic resource contains such a comprehensive coverage of literacy topics that it will undoubtedly become one of the most regularly consulted titles on your bookshelf’ - Literacy Time Plus This user friendly encyclopedia explains concepts, aims and current requirements in all aspects of the primary English curriculum and is an invaluable reference...
The Routledge Companion to Contemporary European Theatre and Performance
This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters...
Notos Öykü 33 - Tomris Uyar
Tomris Uyar Notos Uzun Metraj Sinema Filmi Senaryosu Ödülü duyurusu. küçük İskender: “Şair kitap yazmaz, şiir yazar. Kitap yazanlar nesir düşkünleridir” Bahadır Baruter: “Hiciv otoritenin yediği pandiktir.” Edebiyatımızın önde gelen dergilerinden Notos, yaptığı bütün yazar dosyalarını kalıcı bir kaynağa dönüştüren anlayışıyla bu sayıda Tomris Uyar’a yöneliyor. Tomris Uyar, öykücülüğümüzün ayrıksı yazarlarından. Hem öyküyü yücelten tutumuyla bugün de en önemli değerlerimizden biri olarak okunuyor, hem de her zaman pek çok genç yazarın kılavuzu yerine geçti. Notos’un Tomris Uyar dosyasını, Sema Kaygusuz, Behçet Çelik, ...
Way to Heaven
The heart of Europe. 1942. Children playing, lovers' tiffs, a deserted train station and a ramp rising towards a hangar. This is what you can see, but what should the Red Cross representative report say? Way to Heaven has previously been produced at the Teatro Mara Guerrero, Madrid by the Centro Dramatico Nacional. A production of this English translation opened at the Royal Court Theatre, London in June 2005.
