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The Man In The Wooden Hat
Another masterpiece from Jane Gardam and the second novel in the Old Filth trilogy 'She does fiction as it should be done, with confidence and insight' CHIMAMANDA NGOZI ADICHIE 'Witty, subversive, moving' THE TIMES 'Full of the humour and eccentricity that have made Gardam one of the most enjoyable novelists writing today' INDEPENDENT ON SUNDAY Old Filth told the story of Sir Edward (Eddie) Feathers QC, aka Filth, his colonial upbringing and career, his long and comfortable marriage, his rivalries and friendships. The Man in the Wooden Hat picks up these threads from the perspective of Filth's wife, Betty. An orphan of the Japanese internment camps, a free spirit, a clever code-breaker at Bletchley Park, Betty has her own secret passions. No wonder she is drawn to Filth's hated rival at the Bar, the brash, forceful Veneering.
Crusoe's Daughter
From the award-winning author of Old Filth. “[A] wonderfully old-fashioned novel . . . This post-Victorian charmer is an engrossing delight” (People). In 1904, six-year-old Polly Flint is sent by her sea captain father to live with her aunts in a house by the sea on England’s northeast coast. Orphaned shortly thereafter, Polly will spend the next eighty years stranded in this quiet corner of the world as the twentieth century rages in the background. Through it all, Polly returns again and again to the story of Robinson Crusoe, who, marooned like her, fends off the madness of isolation with imagination. In the Guardian’s series on writers and readers’ favorite comfort books, associ...
The Queen Of The Tambourine
Eliza Peabody is one of those dangerously blameless women who believes she has God in her pocket. She is too enthusiastic; she talks too much. Her concern for the welfare of her wealthySouth London neighbours extends to ingenuous well-meaning notes of unsolicited adviceunder the door. It is just such a one-sided correspondence that heralds Eliza's undoing. Did her letter have something to do with the woman's abrupt disappearance ? Why will no-one else speak of her? And why the watchful, pitying looks and embarassment that now greet her?
The Hollow Land
The barren, beautiful Cumbrian fells provide the bewitching setting for the adventures of Bill and Harry , two children who find wonder at every turn as they experience the Hollow Land. Everyday challenges give a daring edge to this rural work and play. There are mysteries to explore and uncover , like the case of the Egg Witch , and everyone is curious about the Household Name, a visitor from London , moving into the jewel of the territory, Light Farm. Gardam is at her best with this novel, which won the Whitbread award in 1981
The Meaning of Everything
"We visit the ugly corrugated iron structure that Murray grandly dubbed the Scriptorium -- the Scrippy or the Shed, as locals called it -- and meet some of the legion of volunteers, from Fitzedward Hall, a bitter hermit obsessively devoted to the OED, to W.C. Minor, whose story is one of dangerous madness, ineluctable sadness, and ultimate redemption. The Meaning of Everything is a scintillating account of the creation of the greatest monument ever erected to a living language. Simon Winchester's supple, vigorous prose illuminates this dauntingly ambitious project -- a seventy-year odyssey to create the grandfather of all word-books, the world's unrivaled uber-dictionary. Book jacket."--Jacket.
The Summer After the Funeral
A mysterious clergyman is dead. His daughter Athene is desolate. Through a muddle and the vagueness of her family, Athene finds herself in the summer after her father's funeral marooned in a cottage with a painter, then in a hotel and finally in a school, empty apart from a schoolmaster.
A Long Way from Verona
“Far more than just another coming-of-age story” from the award-winning author of the Old Filth trilogy (Bustle). Jane Gardam’s marvelous stories of young girls on the threshold of womanhood—God on the Rocks and Crusoe’s Daughter—have delighted fans and critics alike. These “modern classics” are now joined by a novel that is equally fresh and genuine, comic and touching (The Independent). Jessica Vye introduces herself with an enigmatic pronouncement: “I ought to tell you at the beginning that I am not quite normal, having had a violent experience at the age of nine.” A revered author has told Jessica that she is, beyond all doubt, a born writer. This proves an accurate p...
