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Revealed to contemporaries by the South African War, the basis on which the system would develop soon became the focus for debate. Commercial organizations, including newspaper combinations and news agencies such as Reuters, fought to protect their interests, while "constructive imperialists" attempted to enlist the power of the state to strengthen the system. Debate culminated in fierce controversies over state censorship and propaganda during and after World War I. Based on extensive archival research, this study addresses crucial themes, including the impact of empire on the press, Britain's imperial experience, and the idea of a "British world".
Simon Potter links the history of broadcasting to the history of internationalism, showing how radio was used as a means of promoting international peace and understanding. He looks at histories of propaganda and international conflict and reconstructs early international radio programming and the experience of 'distant listening'.
Does the BBC represent the voice of Britain? Historian Simon J. Potter explores the hundred year history of the British Broadcasting Corporation, illuminating the significant impact that the BBC has had on the social and cultural history of Britain, and on how Britain communicates with the wider world.
Why did the British empire expand so dramatically in the late 18th and 19th centuries – and why did it then collapse so rapidly after the Second World War? Drawing on the latest scholarship from around the world, British Imperial History provides a clear, critical survey of the major concepts and theories used by historians of the modern British empire. British Imperial History: - Brings together in a single volume the key ideas used by political, economic, social and cultural historians, using a theoretical rather than a narrative approach - Examines debates from the origins of British imperialism to decolonization - Includes a chapter on the recent academic turn towards global history. This informative guide to the historiography of the British empire is essential for all students of the topic, and is equally useful for those studying historical approaches in general.
A comprehensive and authoritative overview of the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain.
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During the 1920s and 1930s the new medium of radio broadcasting promised to transform society by fostering national unity and strengthening and popularising national cultures. However, many hoped that 'wireless' would also encourage international understanding and world peace. Intentionally or otherwise, wireless signals crossed borders, bringing talk, music, and news to enthusiastic 'distant listeners' in other countries. In Europe, radio was regulated through international consultation and cooperation, to restrict interference between stations, and to unleash the medium's full potential to carry programmes to global audiences. A distinctive form of 'wireless internationalism' emerged, refl...
To what extent does sleep constitute a limit for the philosophical imagination? Why does it recur throughout philosophy? What is at issue in the repeated relegation of sleep to the realm of physiological study (as in Kant, Freud and Bergson), in favour of promoting the critical investigation of dreams and dreaming as a key indicator of modernity? Does philosophy entail a certain repression of the poetics of sleep in all its conceptual impossibility? Through a series of engagements with key thinkers in modern European philosophy, this book rearticulates a poetics of sleep at the heart of some of its seminal texts. From the problematic yet instructive status of a Kantian discourse on sleep to the conceptual contradictions inherent in psychoanalytic thought and the rich possibilities of thinking 'sleep' in the writings of Bergson, Blanchot and Nancy, the book's aim is to dredge the remains of sleep - not to bring its secrets to the surface of waking life, but instead to draw closer to what falls under or away in thinking and writing 'sleep'.
Long before the network era, radio writers and programmers developed methods and performance styles that were grounded in emerging audio technologies. Making Radio reveals radio as the missing link in the history of modern sound culture.
Thirty-something, out of work, separated from his wife and alienated from his autistic son, Barney retreats into the fantasy world of his past. He harks back to the do-or-dare days with his mates, Winkie, Pompus, Stubbs and Tony Football. Nearly twenty years later, rummaging in the attic, Barney unearths a priceless possession, one that reunites his old circle of friends. As the men get involved in the re-creation of their childhood game - this time with very grown-up stakes - jealousies, rivalries and enmities test their friendship to breaking-point and even threaten their lives. Now, everyone is willing to do or die for the little green man...except this time it's for keeps.