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Amber Revolution
A must-have volume for all wine lovers and those who love orange wine. Written by renowned orange wine expert and award winning writer Simon J. Woolf, Amber Revolution is the world's first book to tell the full, forgotten story of this ancient wine (white wine made like a red wine) and its modern struggle to gain acceptance. It is a tale of lost identity, the fight for survival, and pioneering winemakers--from the Caucasus to the Adriatic. White grapes are left in contact with their skins for days, weeks or months during fermentation, creating stunning complexity, unusual aromas and intense flavors. The extended skin contact gives these wines bold amber, russet, or orange tints. The techniqu...
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Robert Bloomfield, Romanticism and the Poetry of Community
Robert Bloomfield, whom John Clare described as 'the most original poet of the age,' was a widely read and critically acclaimed poet throughout the first decade of the nineteenth century, and remained popular until the beginning of the twentieth century. Yet until now, no modern critic has undertaken a full-length study of his poetry and its contexts. Simon J. White considers the relationship between Bloomfield's poetry and that of other Romantic poets. For example, her argues that Wordsworth's poetics of rural life was in some respects a response to Bloomfield's The Farmer's Boy. White considers Bloomfield's emphasis on the importance of local tradition and community in the lives of labouri...
Romanticism and the Rural Community
The proper organisation of rural communities was central to political and social debates at the turn of the eighteenth century, and featured strongly in the 1790s political polemic that influenced so many Romantic poets and novelists. This book investigates the representation of the rural village and country town in a range of Romantic texts.
Romanticism and the Rural Community
The proper organisation of rural communities was central to political and social debates at the turn of the eighteenth century, and featured strongly in the 1790s political polemic that influenced so many Romantic poets and novelists. This book investigates the representation of the rural village and country town in a range of Romantic texts.
Demons of the Body and Mind
The Gothic mode, typically preoccupied by questions of difference and otherness, consistently imagines the Other as a source of grotesque horror. The sixteen critical essays in this collection examine the ways in which those suffering from mental and physical ailments are refigured as Other, and how they are imagined to be monstrous. Together, the essays highlight the Gothic inclination to represent all ailments as visibly monstrous, even those, such as mental illness, which were invisible. Paradoxically, the Other also becomes a pitiful figure, often evoking empathy. This exploration of illness and disability represents a strong addition to Gothic studies.
Writing Romantic Climate Change
In the Romantic period, women writers developed specific aesthetics and writing strategies in their engagements with climate change and climate catastrophe. Anya Heise-von der Lippe draws on intersectional feminist and ecocritical approaches to highlight gender as a complicating category in Romantic engagements with these topics. She addresses the ways in which gendered critical framings continue to resonate in current Anthropocene discourses that use Romantic conceptualizations of »Nature«, impacting contemporary approaches to the relationship between humans and non-humans in the ongoing climate catastrophe.
Class and the Canon
Examining how labouring-class poets constructed themselves and were constructed by critics as part of a canon, and how they situated their work in relation to contemporaries and poets from earlier periods, this book highlights the complexities of labouring-class poetic identities in the period from Burns to mid-late century Victorian dialect poets.
The Excursion and Wordsworth’s Iconography
This book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude. Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.
