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This book is an exploration of the post-New Testament figure of Simon Magus spanning the patristic era, Middle Ages, and the early modern period as found in art, vernacular literatures, heresiologies, theological texts, hagiographies and homilies.
This latest comprehensive work on Simon Magus lends new impetus to the investigation of Early Christianity and questions surrounding the origin and nature of Gnosticism. Major contributions of this study include: (1), a departure from the traditional exegesis of Acts 8, 5-24 (the first narrative source of Simon), and the later following reports of ancient Christian writers; (2), an overview of the literature of Graeco-Roman antiquity to determine the contribution of "magic" and "the Magoi" in the development of perceptions and descriptions of Simon; and (3), the inclusion of social science explanation models and modern estimations of "identity", in a creative approach to questions surrounding the phenomenon of Simon.
Everybody in Christendom has heard of Simon, the magician, and how Peter, the apostle, rebuked him, as told in the narrative of the Acts of the Apostles. Many also have heard the legend of how at Rome this wicked sorcerer endeavoured to fly by aid of the demons, and how Peter caused him to fall headlong and thus miserably perish. And so most think that there is an end of the matter, and either cast their mite of pity or contempt at the memory of Simon, or laugh at the whole matter as the invention of superstition or the imagination of religious fanaticism, according as their respective beliefs may be in orthodoxy or materialism. This for the general. Students of theology and church history, ...
Everybody in Christendom has heard of Simon, the magician, and how Peter, the apostle, rebuked him, as told in the narrative of the Acts of the Apostles. Many also have heard the legend of how at Rome this wicked sorcerer endeavoured to fly by aid of the demons, and how Peter caused him to fall headlong and thus miserably perish. And so most think that there is an end of the matter, and either cast their mite of pity or contempt at the memory of Simon, or laugh at the whole matter as the invention of superstition or the imagination of religious fanaticism, according as their respective beliefs may be in orthodoxy or materialism. This for the general. Students of theology and church history, ...
Nothing is what it seems.In turn-of-the-century Vienna, a magician (Norton) uses his abilities to secure the love of a woman far above his social standing. Director Neil Burger's screen adaptation of Steven Millhauser's short story 'Eisenheim the Illusionist'. Eisenheim (Edward Norton) is a magician in early 1900's Vienna, who falls in love with a woman well above his social standing. When she becomes engaged to a Crown Prince, Eisenheim uses his powers to free her and undermine the stability of the royal house of Vienna.
This book is an exploration of the post-New Testament figure of Simon Magus spanning the patristic era, Middle Ages, and the early modern period as found in art, vernacular literatures, heresiologies, theological texts, hagiographies and homilies.
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The world's most famous magician. But before his name became legend, who was young Harry Houdini? New York City, 1886. Harry Houdini is just a penniless street urchin dabbling with a few escape tricks. But when a well-known magician goes missing in mysterious circumstances, Harry and his friends, Arthur and Billie, are sucked into a deadly adventure. Now Harry must put all his extraordinary skills into action - not just to solve the mystery - but to stay alive. Because when he falls into the clutches of some of Manhattan's most dangerous villains, his spectacular escapes won't be for show - they'll be a matter of life and death!
In 1995 forty year old Paul Michaelson makes a long overdue appointment seeking help from psychiatrist Dr. Morris Bornstein. He tells the doctor that he has been harboring a terrible secret for most of his life. At age 13 while playing with a ouija board he seemed to make contact with an entity who claimed to be the Biblical sorcerer Simon Magus. Instructed by the entity how to perform a secret ceremony he believed that he became possessed by the spirit. But did he? Was he really possessed by a spirit or was he sufferering from a serious mental illness? That is what he hopes the doctor can tell him. His life as a living Dr. Jekyll and Mr. Hyde has been a living Hell. In "The Shadow of Simon Magus" author Samuel Spulman explores the facts of this bizarre real life case and the story behind the story. For Paul believes that the entity which has enhabited his body came from the family's previous home. The one they moved away from when he was only 4 years old. Paul grew up listening to his mother's tales of that old place. Revealed here for the first time you will read of a house so haunted that it made all other haunted houses seem like a bed and breakfast!
'For once there had been false idols and asses' heads drawn on the walls...' Sleepers awake in a remote cave and the ancient mystic Simon Magus attempts a miracle, in these two magical, otherworldly tales from one of the greatest voices of twentieth-century Europe. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.