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'Performing for the camera' examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Featuring many of the most compelling and experimental photographers in history, it explores the works by artists such as Yves Klein, Yayoi Kusama, Nadar, Merce Cunningham, Charles Ray, Boris Mikhailov, Samuel Fosso, Cindy Sherman, Keith Arnatt and Masahisa Fukase. Edited by curator Simon Baker, this book provides fresh insight into the inter-relationship between performance and photography. With over 300 illustrations, this is the definitive publication on two of the most popular and intriguing art forms of our time. Exhibition: Tate Modern, London, UK (18.02-12.06.2016).
Written by leading academics, this book is an invaluable ‘how to ...’ guide to studying for a Geography degree. Written in a practical and conversational style, it offers important insights into how to succeed in the first year of your degree course, covering everything from how to succeed in assessments to how to decide where to live. Some of the information the book provides is academic and some of it is non-academic, as negotiating both is important in order to be successful in the first year of a Geography degree. Studying Geography at University is ideal for those in the early stages of applying to university. Each chapter offers hints and tips and gives practical real-world insight...
This book addresses the special relationship from the perspective of post-Second World War British governments. It asks how they have perceived the special relationship and performed a foreign policy role within it? This enables the book to argue that Britain’s foreign policy challenges the dominant idea that its power has been waning and that it sees itself as the junior partner to the hegemonic US. The book also shows how at moments of international crisis successive British governments have attempted to re-play the same foreign policy role within the special relationship. By setting contemporary foreign policy into its historical context, it provides fresh insights into why Tony Blair’s government felt it must participate in the Iraq War and questions anew why this decision was flawed. The book concludes that these failings are likely to be re-played and demonstrates why the special relationship’s role in British foreign policy must be urgently re-thought.
In the early hours of a Saturday morning in October part of a living human being is found outside a Dublin hospital. It is little more than a torso, just the trunk and head of a man, without arms or legs or external genitalia. Surgical intervention has deprived him of sight, hearing, smell, taste, and most touch.The torso, maintained on life-support equipment, is identified as Harry Tate, an armed robber released four months earlier from Barton High Security Prison in East Anglia. The case goes to Inspector Joe O’Brien, a specialist in sex crimes, who was investigating a murder at the prison. He returns to Barton, an institution rife with corruption, bullying and drugs. He is led into the glamorous world of Essex money. Soon another torso is found, in the same state, also a former inmate of Barton, this time in Italy. A name keeps cropping up, Gloria, a young girl who was involved with both victims, but who has disappeared. The investigation leads O’Brien down a strange and disturbing road. And at the end of the road is a place even more shocking than he could have imagined.
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In each of the eighteen 'chapters' that make up the work, the external forces of territory, power, circumstance or religion collide with the internal forces of psychological and physical inheritance. The subjects documented by Simon include feuding families in Brazil, victims of genocide in Bosnia, test rabbits infected with a lethal disease in Australia, the first woman to hijack an aircraft, and the living dead in India. Her collection is at once cohesive and arbitrary, mapping the relationships among chance, blood, and other components of fate. A Living Man Declared Dead and Other Chapters is divided into eighteen chapters. Each chapter is comprised of three segments: an annotation, a lar...
"How many times have you read the caption next to a work of art in a gallery, or a review of a contemporary art exhibition in a magazine and found yourself none the wiser? For many, the language in which modern art is described can be even more mystifying than the art itself. Now, a fully updated and expanded edition of the bestselling Tate Guide to Modern Art Terms offers a clear and reliable guide through the confusing terrain, with more than 450 pithy entries on the full range of modern and contemporary art. Drawing on the expertise of the most visited modern art gallery in the world, the book provides a comprehensive, authoritative and completely up-to-date resource for gallery-goers, ar...
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From dada to Gaga and beyond, How Art Made Pop examines the intertwined histories of pop music and the visual arts from the late 1950s to the present day. In particular, this remarkable and definitive study explores in exhaustive detail the exhilarating exchange between the art schools and the pop stars that they nurtured (or, occasionally, expelled). Through a writhing, hedonistic hurly burly of numerous artists and musicians including Marcel Duchamp, the Beatles, Yoko Ono, Andy Warhol, the Velvet Underground, Gilbert & George, Kraftwerk, David Bowie, Richard Hamilton, Roxy Music, Patti Smith, Sex Pistols, Talking Heads, Factory Records, Jean-Michel Basquiat, the KLF and Jay Z amongst others How Art Made Pop encompasses the worldwide history of art school rock, and brings the story up to date by contextualizing the practices of the many contemporary visual artists and artist-musicians still dazzled by pop's vital spark."--Amazon.com.
Sir Elton John, musician and philanthropist, has built one of the greatest private collections of photography in the world. This book presents an unparalleled selection of modernist images, which introduce a crucial moment in the history of photography when artists were beginning to use the camera and darkroom to redefine and transform visions of the modern world. Technological advancements gave artists the freedom to experiment and test the limits of the medium enabling new imaginings of portraits, nudes and still lifes; and street life and the modern world was captured from a new, uniquely modern perspective. Showcasing only original vintage prints by the artists themselves, the book features key figures from the 1920s to 1950s, such as Brassai, Andre Kertesz, Dorothea Lange, Tina Modotti, Man Ray, Edward Steichen and Alexander Rodchenko. Also includes a newly commissioned interview with Sir Elton John and essays on modernist photography and technology and innovation by Dawn Ades and Shoair Mavlian."