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Simone Martini
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Simone Martini in Orvieto
New insights into the innovative multimedia work and early career of fourteenth-century Italian painter Simone Martini Painter to popes, princes, and scions of Renaissance dynasties, Simone Martini (ca. 1284-1344) transformed Western painting with his groundbreaking devotional images and masterful manipulation of gold. This beautifully illustrated book highlights the astonishing novelty of his paintings in terms of their construction, multimedia techniques, and imagery. A focus of the book--the first on Simone Martini in English in over thirty years--is the work that he produced for churches in the Umbrian city of Orvieto, a papal refuge and stronghold of the Guelph political faction. The publication sheds light on Simone's early career and technical accomplishments with extended catalogue entries for three Orvieto altarpieces and a painting of private devotion, including the results of new scientific analysis for the Gardner works. Leading scholars consider Simone's patrons, artistic accomplishments, and contributions to the development of the polyptych altarpiece.
Simone Martini
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Simone Martini Complete Edition
A study of the life and work of the painter Simone Martini (c.1284-1344) whoas well-respected during his life-time but subsequently was considered lessmportant than Giotto and his followers.;The author now sets the work of theainter in context relating it to the developments of Gothic Art. Facts abouthe artist's life - in particular his dealings with his powerful patrons andis commissions in Naples and Avignon - offer the art historian a newerception of fourteenth century Italy.;The accompanying illustratedatalogue highlights the wide range of subjects and media that Simone usedetting him apart from his contemporaries.;Simone Martini's previousublications include "Gothic Art", "The Rise of the Artist" and "The Triumphsf Caesar by Andrea Mantegna".
The Grove Encyclopedia of Medieval Art and Architecture
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Reliquary Tabernacles in Fourteenth-century Italy
Ground-breaking study of the enigmatic and unique tabernacles from fourteenth-century Italy, which for the first time combined relics and images.Images and relics were central tools in the process of devotional practice in medieval Europe. The reliquary tabernacles that emerged in the 1340s, in the area of Central Italy surrounding the city of Siena, combined images and relics, presented visibly together, within painted and decorated wooden frames. In these tabernacles the various media and materials worked together to create a powerful and captivating ensemble, usable in several contexts, both in procession and static, as the centre of focussed, prayerful attention. This book looks at Siena...
Italian Paintings
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