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Early Global Interconnectivity across the Indian Ocean World, Volume I
This volume investigates the emergence and spread of maritime commerce and interconnectivity across the Indian Ocean World—the world’s first “global economy”—from a longue durée perspective. Spanning from antiquity to the nineteenth century, these essays move beyond the usual focus on geographical sub-regions or thematic aspects to foreground inter- and trans-regional connections. Analyzing multi-lingual records and recent archaeological findings, volume I examines mercantile networks, the role of merchants, routes, and commodities, as well as diasporas and port cities.
Palace Gardens in Lower Mesopotamia
Gardens were both a setting and showcase for nearly every aspect of social and daily life at the royal court during the early Islamic period in Western Asia. Safa Mahmoudian uses a wide range of primary source materials including contemporary Arabic manuscripts, together with archaeological reports, aerial photographs, and archaeologists’ letters and diaries. Through close readings of this evidence, Mahmoudian creates a picture of these gardens in their historical, architectural and environmental contexts and examines various factors that influenced their design and placement. In doing so, Mahmoudian adds to our understanding of these gardens and palaces and, ultimately, early Islamic-period court culture as a whole.
Museum of Islamic Art: the Guide
A guide to the best of the collections at the Museum of Islamic Art in Doha, Qatar.
Made for the Eye of One Who Sees
Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum. Made for the Eye of One Who Sees uncovers the contributions of scholars and museum curators at Canadian institutions to current scholarship on Islamic art. Employing a wide range of approaches and theoretical perspectives, contributors cover topics from across the Islamic world dating from the eighth century to the present. Subjects include the iconography of architectural design ...
A hundred years of excavations in Samarra
In 2011, the Museum of Islamic Art in Berlin celebrated the 100th anniversary of the German excavations of the Islamic-medieval site Samarra. The former Abbasid capital (836-892 A.D.) around 125 km north of Bagdad is one of the largest archaeological ruins in the world and one of the key sites in the field of Islamic art and archaeology. The excavations led by Ernst Herzfeld and Friedrich Sarre between 1911 and 1913 represent a primary moment in the establishment of the field. Today, a hundred years later, our knowledge on Abbasid art has widened immensely. This volume includes papers given at an international symposium organised by the EHG together with the Museum of Islamic ARt from June 30 to July 02, 2011 to discuss the latest state of research on the former Abbasid city and its impact on Islamic art. Articles touch the history of the excavations, the city of Samarra and its finds as well as other recently studied Abbasid sites.
Baghdad
A visual feast of artworks and artifacts from the Islamic world's cultural capital This richly illustrated and researched publication heralds Baghdad as a resplendent capital of culture within the Islamic world, from its heritage as the locus of the great Abbasid caliphs (750-1258 CE) to its renewed period of prosperity during the 20th century after the discovery of oil in the land. Published in conjunction with an exhibition at Qatar's Museum of Islamic Art, Baghdad: Eye's Delight takes readers on an imaginary tour across centuries, highlighting Baghdad's role as a city of power, scholarship and riches, and examining the city's social fabric--its numerous traditions and cosmopolitan population--which have enabled the city to thrive, despite war and destruction. Displaying objects on loan from 22 institutions such as the Louvre, the Metropolitan Museum of Art, the Benaki Museum, the Vatican and the Barrel Foundation, the compendium presents a vast array of artworks and artifacts.
Baghdad
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A Class of Their Own
The pioneer group of the Düsseldorf School The ‘Düsseldorf School’ has become a household name in the art world for one of the most successful and influential strains of modern photography. Coined in the late 1980s, the name refers mainly to the pioneer group of students of the late Bernd Becher, who in 1976 became the first professor for creative photography at a German arts academy. His students included Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff, and Thomas Struth, all of them today internationally acclaimed artists in their own right. Whereas ‘Düsseldorf School’ initially was used as a handy term for a group of artists with the same university’s background, it quickly turned into a powerful brand name both in critical and commercial contexts. Despite its welcomed impact on the art scene, the members of the ‘School’ felt rather ambiguous about their perception as a group which turned them into stars but simultaneously risked levelling individual profiles and differences. What exactly connects and distinguishes them aesthetically is for the first time thoroughly explored in Maren Polte’s pioneering study.
Digital Image Systems
In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«.
