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The sixteenth century Ottoman architect Sinan is today universally recognized as the defining figure in the development of the classical Ottoman style. In addition to his vast oeuvre, he left five remarkable autobiographical accounts, the so-called "Adsiz Risale", the "Risaletu'l-Mi'mariyye", "Tuhfetu'l-Mi'marin", "Tezkiretu'l-Mi'mariyye" and "Tezkiretu'l-Bunyan" that provide details of his life and works. Based on information dictated by Sinan to his poet friend Mustafa Sa'i Celebi shortly before his death, they exist in multiple manuscript versions in libraries in Istanbul, Ankara, and Cairo. The present volume contains critical editions of all five texts, along with transcriptions, annotated translations, facsimiles of the most important variant versions, and an introductory essay that analyzes the various surviving manuscripts, reconstructs their histories, and establishes the relationships between them.
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
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A report presenting data from two surveys, the first carried out by the Survey of Western Galilee beginning in 1975, and the second a more extensive survey of Upper Galilee covering known sites in the area and undertaken from 1986 to 1990. The list of sites identified includes details on their name, location and position, approximate size, character, period(s) represented and a bibliography. An outline of the pottery sequence based on material recovered from the surveys, as well as other finds, precedes a historical overview of the region.
This book is an attempt to outline the development of art and architecture in Anatolia. While covering the works made possible by this genius who holds an unsurpassed position in the history of Turkey, as well as the handicrafts of the same period, each in their own sections, the book tries to highlight both the architectural currents existing prior to Sinan and those architectural creations in Post-Sinan periods that remained faithful to his legacy. The final section rounds out by discussing such traditional art forms as woodworking, metal working, tilemaking, cloth, miniatures, carpets, hat (calligraphy) and tezhip ("gold gilding" or "illumination"), which served as complementary elements of architecture.
Every language includes layers of lexical and grammatical elements that entered it at different times in the more or less distant past. Hence, for periods preceding our earliest historical documentation, linguistic stratigraphy the systematic study of such layers may yield information about the prehistory of a given tradition of speaking in a variety of ways. For instance, irregular phonological reflexes may be evidence of the convergence of diverse dialects in the formation of a language, and layers of material from different source languages may form a record of changing cultural contacts in the past. In this volume are discussed past problems and current advances in the stratigraphy of Indo-European, African, Southeast Asian, Australian, Oceanic, Japanese, and Meso-American languages.