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Germany's Impending Doom, Another Open Letter to Herr Maximilian Harden from Sir Isidore Spielmann ... with Four Cartoons Specially Drawn by Hugh Thompson
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Germany's Impending Doom, Another Open Letter to Herr Maximilian Harden From Sir Isidore Spielmann With Four Cartoons Specially Drawn by Hugh Thompson (Classic Reprint)
Excerpt from Germany's Impending Doom, Another Open Letter to Herr Maximilian Harden From Sir Isidore Spielmann With Four Cartoons Specially Drawn by Hugh Thompson Sir, - I am glad to think that my last open letter reached you, and that you have acted upon some of the suggestions which were conveyed in it. At the same time, I regret that your reward for telling your countrymen the truth has been that your paper, Die Zukunft, and your public lectures are frequently suppressed. It is, however, gratifying to know that, unlike the unfortunate Liebknecht and others, you still enjoy liberty of the person. It is often said here and in France that yours is a "voice crying in the wilderness" - that f...
The Role of International Exhibitions in Britain, 1850-1910
This book investigates these assumptions by systematically exploring the relationship between participation in international exhibitions, the state of the economy, and the issue of technical education from a British perspective between 1850 and 1910.
The Life of Sir William Quiller Orchardson
Uncover the legacy of a renowned artist in 'The Life of Sir William Quiller Orchardson' by Hilda Orchardson Gray. Journey through the vibrant tapestry of Sir William's life, from his Scottish origins to his illustrious career in England. Delve into the intimate account, written by his own daughter, as she unveils the profound influence and remarkable achievements of this esteemed painter. Sir William Quiller Orchardson, a masterful portraitist and storyteller through his canvases, left an indelible mark on the art world.
Too Jewish or Not Jewish Enough
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively recent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
