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In 1934 Sir Peter Chalmers Mitchell retired at the age of 70 from a distinguished career as Secretary of the Zoological Society of London. During his tenor he had been the driving force behind the creation of the Whipsnade Zoo, which opened in 1931. He moved to Málaga "for what I expected to be a peaceful old age" and spent his time writing his memoirs and translating novels by Ramón J. Sender. Then came the rebellion of 1936. While most other British residents fled to Gibraltar, Sir Peter was one of the few to stay in order to protect his house and garden, and his servants. Although an open sympathiser with the Anarchist cause, he provided a safe haven to the wife and five daughters of Tomás Bolín, members of a notorious right wing family, eventually helping them escape across the border. He later offered shelter to Arthur Koestler. When the Italian forces sent by Mussolini to support the rebellion took Málaga, they were both arrested by Tomás Bolín's nephew, Luis, who was Franco's chief propagandist and who had vowed that if he ever laid his hands on Koestler he would "shoot him like a dog". This is his memoir of that period, first published in 1938.
"This revised Norton Critical Edition, like its predecessor, is the only edition available that includes both the 1890 Lippincott's and the 1891 book version of The Picture of Dorian Gray. Under the editorial guidance of Wilde scholar Michael Patrick Gillespie, students have the opportunity to read comparatively both published versions of this controversial novel." ""Backgrounds" and "Reviews and Reactions" allow readers to gauge The Picture of Dorian Gray's sensational reception when the 1890 version appeared and to consider the heated public debate over art and morality that followed its publication. Joris-Karl Huysmans, Walter Pater, and Oscar Wilde offer a sense of the diverse opinions o...
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
"In 1937, while working for the London News Chronicle as a correspondent with the loyalist forces in the Spanish Civil War, I was captured by General Franco's troops and held for several months in solitary confinement, witnessing the executions of my fellow-prisoners and awaiting my own. [This book] is an account of that experience written immediately after my release, in July-August, 1937 ... My principal interest in writing [this book] was an introspective one : the psychological impact of the condemned cell. From this view point, the political background was irrelevant, and the narrative, as far as it went, was the truthful account of an intimate experience"--Page xiii-xiv.
The American painter, James McNeil Whistler, aroused great controversy. His work also significantly influenced interior decoration. But Whistler was as famous for his biting wit, fights, quarrels and sharp attacks on art critics. Pearson here shows him as his friends saw him and adds fresh insight drawn from meetings with people who knew him.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
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An exciting reinterpretation of Social Darwinism, questioning conventional assumptions and proffering an alternative reading of a discourse of 'peace biology'.