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A compelling argument that far from developing in a literary vacuum, saga literature interacts in lively, creative and critical ways with one of the central genres of the European middle ages.
The horse was the essential animal for the medieval world: means of transport, a vehicle of social status and a cherished companion. This volume explores the ways in which horses shaped medieval societies.
Entangled Christianities looks at Christianity in flux. Each chapter recounts a moment of crisis and opportunity in the history of Christianity; from the selection of the biblical canon to the Iconoclast struggle of the Reformation, and from the religious conversions of Scandinavian Norsemen and Native Americans to the establishment of religious liberty in the US Constitution. In each event, Christianity engages in a dialogue with internal and external voices, thereby negotiating the shape and meaning of Christianity. Underlying these negotiations is an often unstated reality; that there is not and never has been a single Christianity. The meaning and direction of Christianity was disputed, even in the days of Peter, Paul and James. The history of Christianity can perhaps be better understood as a history of Christianities. This work is designed to capture pivotal moments, wherein Christianity encountered challenges to its identity and structures.
An examination of what dialogues and direct speech in Old Norse literature can convey and mean, beyond their immediate face-value.
Medieval legal and political thought encompasses the period from approximately 500 CE to 1500 CE. The term “Medieval” refers to the legal and political thought from the time of the late Roman Empire to that of the Renaissance. The legal and political thought of the Middle Ages is overwhelmingly characterized by the increasing role that religion played in influencing politics and law. By the high Middle Ages, we find the great theorists, Averroes, Maimonides, and Aquinas linking law to their respective religions of Islam, Judaism, and Christianity. This book argues that the so-called Dark Ages had very significant ideas about the law, especially how violence is to be contained, which make...
Translating Europe in ?lfric's 'Lives of Saints' is the first study of the representation of European peoples, places, and geographies in the Lives of Saints, one of early medieval England's most famed works. It examines the Lives of Saints as a unified collection whose various items work cumulatively and concurrently to provide audiences with teachings far beyond the scope of an individual homily or saints' life. In doing so, it demonstrates that ?lfric's European characters and settings served not merely as a convenient skeleton on which to frame his hagiographical narratives, but rather lay at the heart of his didactic praxis and pedagogic aims. Luisa Ostacchini systematically compares ea...
Written in consultation with leading academics.
Multi-disciplinary approaches shed fresh light on the Frisian people and their changing cultures.
Sagaen om Eirik Raude er kort. Den forteller at han flykter fra Norge til Island etter et drap, gifter seg inn i en høvdingfamilie, innleder en liten krig, utforsker et gedigent land mot vest og kaller det Grønland. Så grunnlegger han et nybyggersamfunn på Grønland før landet kristnes mot hans vilje og sønnene utforsker Amerika. På et kvarter har du oversikt over alt vi vet om Eirik Raude. Eller kanskje ikke. For bak sagaenes fortettede formuleringer skjuler det seg et hav av hendelser og sammenhenger som ennå ikke er oppdaget. I denne boken undersøker Øystein Morten hva Eirik Raude egentlig var ute etter på Grønland, og hva som var bakgrunnen for reisene videre vestover til Vinland.Bli med på en oppdagelsesferd til norrøne bosetninger i polare strøk!«Oppsiktsvekkende … man formelig ser for seg hvordan Eirik Raude opplevde Grønland på 980-tallet … både ei lærerik og underholdende bok.»[Terningkast 5 Jan-Erik Smilden, Dagbladet
Shakespeare's Blank Verse: An Alternative History is a study both of Shakespeare's versification and of its place in the history of early modern blank verse (unrhymed iambic pentameter). It ranges from the continental precursors of English blank verse in the early sixteenth century through thedrama and poetry of Shakespeare's contemporaries to the editing of blank verse in the eighteenth century and beyond.Alternative in its argumentation as well as its arguments, Shakespeare's Blank Verse tries out fresh ways of thinking about meter--by shunning doctrinaire methods of apprehending a writer's versification, and by reconnecting meter to the fundamental literary, dramatic, historical, and socialquestions that animate Shakespeare's drama.