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The Secret Agent
This collection of thirteen essays by writers from several countries lavishly celebrates the centenary of the publication of Conrad's The Secret Agent. It reconsiders one of Conrad's most important political novels from a variety of critical perspectives and presents a stimulating documentary section as well as specially commissioned maps and new contextualizing illustrations. Much new information is provided on the novel's sources, and the work is placed in new several contexts. The volume is essential reading on this novel both for students studying it as a set text as well as for scholars of the late-Victorian and early Modernist periods.
Beckett, Deleuze and the Televisual Event
An expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event – itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole.
The Great Emporium
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New Versions of Pastoral
Bringing together both established and emerging scholars of the long nineteenth century, literary modernism, landscape and hemispheric studies, and contemporary fiction, New Versions of Pastoral offers a historically wide-ranging account of the Bucolic tradition, tracing the formal diversity of pastoral writing up to the present day. Dividing its analytic focus between periods, the volume contextualizes a wide range of exemplary practitioners, genres, and movements: contributors attend to early modernism's vacillation between critiquing and aestheticizing the rise of primitivist nostalgia; the ambiguous mythologization of the English estate by the twentieth-century manor house novel; and the post-national revisiting of the countryside and its sovereign status in contemporary imaginings of regional life.
Becket Sans Frontières
SBT/A 19 features selected papers from the Borderless Beckett / Beckett sans frontières Symposium held in Tokyo at Waseda University in 2006. The essays penned by eminent and young scholars from around the world examine the many ways Beckett's art crosses borders: coupling reality and dream, life and death, as in Japanese Noh drama, or transgressing distinctions between limits and limitlessness; humans, animals, virtual bodies, and stones; French and English; words and silence; and the received frameworks of philosophy and aesthetics. The highlight of the volume is the contribution by Nobel Laureate J. M. Coetzee, the special guest of the Symposium. His article entitled "Eight Ways of Looki...
Discourses of Mourning in Dante, Petrarch, and Proust
This book brings together, in a novel and exciting combination, three authors who have written movingly about mourning: two medieval Italian poets, Dante Alighieri and Francesco Petrarca, and one early twentieth-century French novelist, Marcel Proust. Each of these authors, through their respective narratives of bereavement, grapples with the challenge of how to write adequately about the deeply personal and painful experience of grief. In Jennifer Rushworth's analysis, discourses of mourning emerge as caught between the twin, conflicting demands of a comforting, readable, shared generality and a silent, solitary respect for the uniqueness of any and every experience of loss. Rushworth explo...
The New Georgics
The human condition in rural, provincial locations is once again gaining status as a subject of European 'high fiction', after several decades in which it was dismissed on aesthetic and ideological grounds. This volume is one of the first attempts to investigate perspectives on local cultures, values and languages both systematically and in a European context. It does so by examining the works of a variety of authors, including Hugo Claus, Llamazares, Bergounioux and Millet, Buffalino and Consolo, and also several Soviet authors, who paint a grim picture of a collectivized - and thus ossified - rurality. How do these themes relate to the ongoing trend of globalization? How do these works, which are often experimental, connect - in their form, topics, language and ideological subtext - to the traditional rural or regional genres? Far from naively celebrating a lost Eden, most of these 'new Georgics' reflect critically on the tensions in contemporary, peripheral, rural or regional cultures, to the point of parodying the traditional topoi and genres. This book is of interest to those wishing to reflect on the dynamics and conflicts in contemporary European rural culture.
Living in Posterity
Living in Posterity, presented to Bart Westerweel on his retirement as Professor of Early Modern English literature at the University of Leiden, brings together thirty-nine essays on a wide variety of subjects and themes. The contributors, scholars from the Netherlands end abroad, have drawn inspiration from the many dualities that are characteristic of Westerweel's work, such as word/image, Anglo/Dutch, familiar/other, traditional/modern, and form/function. The result is a colourful mosaic of essays on history, culture, art and literature from the first century to the modern era. The binding theme of this richly diverse book lies in the idea of the continuity between the past and the present, the cohesion between what was and what is. As such, Living in Posterity is part of the larger project of the humanities to engage sympathetically with the past - to speak with the dead and keep history alive.
Individuation and Attachment in the Works of Isabelle de Charrière
The novels published by Isabelle de Charrière before the French Revolution offer a perceptive account of the psychology and the social climate of the late eighteenth century. The anti-Freudian psychoanalysis of the neurologist and psychiatrist Heinz Kohut (1913-81) is used in this study as a means of developing an awareness of the position of the fictional characters. Feminist and Freudian readings of Charrière's novels of the 1780s have stressed the 'closed' deterministic atmosphere of contemporary society; this new study emphasises what can be called the 'modern' side of the novels: patriarchal society and individual needs confront each other and allow the relationships to be seen in a new light. By means of Kohut's notion of 'selfobject' a rich insight is gained into the complex relationships described by Isabelle de Charrière.
Beckett in the 1990s
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