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In Contesting Modernity in the German Secularization Debate, Sjoerd Griffioen investigates the polemics between Karl Löwith, Hans Blumenberg and Carl Schmitt on the role of religion in modernity. He analyzes their contributions to the development of the broader German secularization debate between the 1950s and 1980s. As this development is traced, special attention is paid to how after 1968 this debate increasingly centered on Schmitt’s notion of political theology and its appropriation by the Left. This is evinced in the work of Jacob Taubes, who is opposed by Odo Marquard, assuming a Blumenbergian-secularist position in this new political landscape. Griffioen concludes with a methodological reflection on the value of ‘Geistesgeschichte’ and by identifying parallels with the contemporary discourse of postsecularism.
For well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical—and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.
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Red Secularism is the first substantive investigation into one of the key sources of radicalism in modern German, the subculture that arose at the intersection of secularism and socialism in the late nineteenth-century. It explores the organizations that promoted their humanistic-monistic worldview through popular science and asks how this worldview shaped the biographies of ambitious self-educated workers and early feminists. Todd H. Weir shows how generations of secularist intellectuals staked out leading positions in the Social Democratic Party, but often lost them due to their penchant for dissent. Moving between local and national developments, this book examines the crucial role of red secularism in the political struggles over religion that rocked Germany and fed into the National Socialist dictatorship of 1933. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
What is ‘the good’ of the film experience? And how does the budding field of ‘film as philosophy’ answer this question? Charting new routes for film ethics, Martin P. Rossouw develops a critical account of the transformational ethics at work within the ‘film as philosophy’ debate. Whenever philosophers claim that films can do philosophy, they also persistently put forward edifying practical effects – potential transformations of thought and experience – as the benefit of viewing such films. Through rigorous appraisals of key arguments, and with reference to the cinema of Terrence Malick, Rossouw pieces together the idea of an inner makeover through cinema – a cinemakeover â...
This ambitious account of skepticism's effects on major authors of England's Golden Age shows how key philosophical problems inspired literary innovations in poetry and prose. When figures like Spenser, Shakespeare, Donne, Herbert of Cherbury, Cavendish, Marvell and Milton question theories of language, degrees of knowledge and belief, and dwell on the uncertainties of perception, they forever change English literature, ushering it into a secular mode. While tracing a narrative arc from medieval nominalism to late seventeenth-century taste, the book explores the aesthetic pleasures and political quandaries induced by skeptical doubt. It also incorporates modern philosophical views of skepticism: those of Stanley Cavell, Ludwig Wittgenstein, Roland Barthes, and Hans Blumenberg, among others. The book thus contributes to interdisciplinary studies of philosophy and literature as well as to current debates about skepticism as a secularizing force, fostering civil liberties and religious freedoms.
Een filosofische reis door de tijd. Kracht ten goede van Sander Griffioen is een intrigerend filosofisch werk dat je meeneemt in een reis door de tijd. Griffioen schrijft dat we niet bang hoeven te zijn voor de tijd. Hij laat zien dat tijd een kracht ten goede is. De auteur biedt een waaier aan vragen en gedachten: kunnen we ontkomen aan de tirannie van de klok? Welke rol speelt God in de tijd en hoe verhouden kwaad en goed zich tot de tijd? Griffioen heeft aandacht voor het kleine, zoals bloeiende appelbomen en zingende kinderen, maar ook voor de betekenis van tijd in het licht van het onmetelijke universum. De tekst is subtiel en gelaagd. Goede filosofie gaat immers langzaam!
A close reading of Deleuze’s major text on desire The engagement of Deleuze with psychoanalysis has led to the development of a remarkable and highly influential theory about human desire. The most systematic account of this theory, crucial for anyone interested in the work of Deleuze and Guattari, can be found in the discussion of the dynamic genesis of sense, a pivotal part of Deleuze’s The Logic of Sense. In Deleuze and Desire Piotrek Świątkowski picks up the challenge to provide an ad literam commentary of this text. Świątkowski makes use of a broad range of examples, from psychoanalytic case studies to art, literature, and film, and analyses in an accessible and clear way the impact of the work of psychoanalysts such as Melanie Klein on Deleuze.
What does it really mean to be modern? The contributors to this collection offer critical attempts both to re-read Max Weber's historical idea of disenchantment and to develop further his understanding of what the contested relationship between modernity and religion represents. The approach is distinctive because it focuses on disenchantment as key to understanding those aspects of modern society and culture that Weber diagnosed. This is in opposition to approaches that focus on secularization, narrowly construed as the rise of secularism or the divide between religion and politics, and that then conflate this with modernization as a whole. Other novel contributions are discussions of tempo...