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Literature and Skepticism
Literature and Skepticism links the skeptic attitude to the conditions of possibility in (modern) literature—in particular, the narrative form and the essay. Pablo Oyarzun proposes that narrative and the essay document the relationship between literature and skepticism in different but complementary and, at the same time, complicit ways. As the narrative performance reaches the structural limit of the literary—understood as the domain of fiction—a sort of para-discursive reflection critically accompanies this performance, discussing it, ironizing it, feigning to disbelieve it, or overtly belying it. Yet the narrative doubtfully takes distance from itself, surrendering all right to a final truth at the very moment at which truth emerges, essayistic, to the surface. The authors considered—Montaigne, Swift, Lichtenberg, Kleist, Kafka, and Borges—are eminent representatives of one and the other form, and all of the works analyzed are cases of a complex interplay between narrative and essay.
Skepticism in Early Modern English Literature
Early modern skepticism contributed to literary invention, aesthetic pleasure, and the uneven process of secularization in England.
Stanley Cavell and Literary Skepticism
Cavell is read avidly by students of film, television, painting, and music, but especially by students of literature, for whom he offers major readings of Thoreau. Fischer (English, U. of New Mexico) shows why Cavell's work is also of particular relevance to the controversies surrounding poststructuralist literary theory. Paper edition (0-226-25141-1) is available for $10.95. Annotation copyrighted by Book News, Inc., Portland, OR
Joseph Conrad and the Fictions of Skepticism
"You want more scepticism at the very foundation of your work. Scepticism, the tonic of minds, the tonic of life, the agent of truth - the way of art and salvation." Joseph Conrad wrote these words to John Galsworthy in 1901, and this study argues that Conrad's skepticism forms the basis of his most important works, participating in a tradition of philosophical skepticism that extends from Descartes to the present. Conrad's epistemological and moral skepticism - expressed, forestalled, mitigated, and suppressed - provides the terms for the author's rethinking of the peculiar relation between philosophy and literary form in Conrad's writing and, more broadly, for reconsidering what it means t...
Scepticism and Hope in Twentieth Century Fantasy Literature
Filmer argues that, in secular society, the psychological need to hope is met in the literature of fantasy. She illustrates her thesis using the works of J.R.R. Tolkien, C.S. Lewis, Peter Beagle, Susan Cooper, Madeleine L'Engle, George Orwell, Russell Hoban, James Thurber, Kurt Vonnegut, Jr., Alan Garner, Ursula LeGuin, and Patricia Wrightson. Paper edition (unseen), $13.95. Annotation copyrighted by Book News, Inc., Portland, OR
Knowledge
What is knowledge? Is it the same as opinion or truth? Do you need to be able to justify a claim in order to count as knowing it? How can we know that the outer world is real and not a dream? Questions like these have existed since ancient times, and the branch of philosophy dedicated to answering them - epistemology - has been active for thousands of years. In this thought-provoking Very Short Introduction, Jennifer Nagel considers the central problems and paradoxes in the theory of knowledge and draws attention to the ways in which philosophers and theorists have responded to them. By exploring the relationship between knowledge and truth, and considering the problem of scepticism, Nagel i...
Scepticism and Literature
'The more we enquire, the less we can resolve,' wrote Johnson. Scepticism-a reasoned emphasis on the severe limitations of rationality-would seem to undermine the grounds of belief and action. But in some of the best eighteenth-century literature, a theoretically paralysing critique of thepretensions of reason, precept, and language went hand in hand with a vigorous intellectual, moral, and linguistic confidence. To realise philosophical scepticism as literature was effectively to transform it. Dr Parker traces the presence of this life-giving irony in works by Pope, Hume, Sterne,and Johnson, relates it more broadly to the social self-consciousness of eighteenth-century culture, and discusses its source in Locke and its inspiration in Montaigne. The argument serves as a reminder that radical scepticism is not the invention of the late twentieth century, and that itsstrategies and implications have never been more interestingly explored than in the eighteenth.
Doubt and Skepticism in Antiquity and the Renaissance
An interdisciplinary study of the forms and uses of uncertainty in important works of literature and philosophy in antiquity and the Renaissance.
Sublimity and Skepticism in Montaigne and Milton
Boldly investigates the relationship between the sublime as an aesthetic category and the emergence of skepticism as a philosophical problem
The Luxury of Skepticism
From his close analysis of the works of the era's great philosophers, Dykstal argues that the dialogue as a literary form helped to develop, and subsequently transform, the public sphere in late seventeenth- and early eighteenth-century England."--BOOK JACKET.
