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This volume explores the possibilities and potentialities of “negative” affect in postcolonial literature and literary theory, featuring work on postcolonial studies, First Nations studies, cognitive cultural studies, cognitive historicism, reader response theory, postcolonial feminist studies, and trauma studies. The chapters of this work investigate negative affect in all its types and dimensions: analyses of the structures of feeling created by socio-political forces; assemblages and alliances produced by negative emotion; enactive interrelationships of emotion and environment; and the ethical implications of emotional response, to name a few. It seeks to rebrand “negative” emotions as productive forces which can paradoxically confer pleasure, agential power, and social progress through literary representation.
"Earth and Below": is an illustrated story, in a sense, everything one ever wanted to know about copper, examining the labor issues involved in the history of attempts to organize copper workers, their working conditions, the way differing outlooks, most commonly class-based, but not exclusively so, impacted upon the lives of copper workers, and copper and copper mines as objects in a larger world.
How do archaeologists explore the various dimensions of religion? Lars Fogelin uses archaeological work at Thotlakonda in Southern India as his lens in a broader examination of Buddhist monastic life. He discovers the tension between the desired isolation of the monastery and the mutual engagement with neighbors in the Early Historic Period. He also sketches how religious architectural design and use of landscape helped to shaped these relationships. Drawing on historical accounts, religious documents, and inscriptions, as well as results of his systematic archaeological survey, Fogelin is able to shed new light on the ritual and material workings of Early Buddhism in this region, and shows how archaeology can contribute to our understanding of religious practice.
Sheri Vandermolen brings India into vibrant focus with her evocative imagery, rich narration, and sharp wit, inviting the reader to join her in an engaging exploration of the Indian subcontinent. The volume’s forty-five poems and accompanying photographs span experiences as commonplace as trips to the local city market and as distinct as a visit to Allahabad for the 2013 Maha Kumbh Mela, considered the world’s largest single-event gathering of humanity, with thirty million people in attendance on the most auspicious bathing day. Dynamic and nimble, Jasmine Fractals pivots through the jostling contrasts of urban India.
The braid and the sari are the quintessential hairstyle and garment that women in India don every day. They are both texture and text. The braid—often kept long and styled with flowers (especially in South India) or lengthened with extensions (as in North India)—is a prized possession with both aesthetic and spiritual meanings. The sari is a length of untailored cloth material that has been the traditional everyday garb of Indian women for millennia. Using the braid and sari as the framework and defining tropes that unify the collection, the poems of Memory Braids and Sari Texts: Weaving Migration Journeys carry the memory of independent India, which turned seventy-five in 2022. These ve...
Disturbance is a novel in verse by Ivy Alvarez that chronicles a multiple homicide, a tragic case of domestic violence, where a family was gunned down by the husband and father. The book features poems in a kaleidoscope of voices from all the characters involved. We first meet the family itself and witness how the father's controlling attitude gradually escalates into violence. Then we get the aftermath: the authorities, police and neighbours, who all might have helped to prevent this tragedy. This is a very dark book, but a courageous one, ultimately about evil and its presence in our everyday lives. The fact that this family was relatively well-to-do, seemingly prosperous and well-connected, adds another layer of intrigue and mystery. There is some graphic violence, but the emphasis is on the characters and their motivations. This masterpiece of brutality veined with tenderness will skewer you to its pages. A tour de force - utterly original and brave. - Sally Spedding Disturbance is a precise, pained, and wondrous book. - Teju Cole
Supplies annotated and indexed entries on publications in Asian and European languages relating to prehistory, (proto)historical archaeology, art history (including modern art), material culture, epigraphy, palaeography, numismatics and sigillography.
A wide spectrum of scholars, historians, art historians, anthropologists, students of performance, students of religion, archaeologists, cognitive scientists, and linguists were all asked to think and comment on how ritual can be traced in archaeology and which ways ritual research can go in that discipline. The product is a fairly accurate representation of research on ritual and the archaeology of ritual: scholars from various disciplines, backgrounds and agendas, arguing mostly in the most logical fashion, yet with little agreement between them. So this book should not be seen as presenting one unified attitude towards ritual and its study in archaeology. It should rather be seen as a reflection of what the discourse in the archaeology of ritual is today. The outcome has been extremely thought-provoking, often controversial, but always of extremely high quality.
Winner of the 2018 Andrés Montoya Poetry Prize, The Inheritance of Haunting, by Heidi Andrea Restrepo Rhodes, is a collection of poems contending with historical memory and its losses and gains carried within the body, wrought through colonization and its generations of violence, war, and survival. The driving forces behind Rhodes’s work include a decolonizing ethos; a queer sensibility that extends beyond sexual and gender identities to include a politics of deviance; errantry; ramshackled bodies; and forms of loving and living that persist in their wild difference. Invoking individual and collective ghosts inherited across diverse geographies, this collection queers the space between pa...
A landmark literary anthology of poems, stories, and essays, Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.