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A “funny and tragic and beautiful in all the right places” (Jenny Lawson, #1 New York Times bestseller author of Furiously Happy) memoir about the immigrant experience and life as a perpetual fish-out-of-water, from the acclaimed Serbian-Australian storyteller. Sofija Stefanovic makes the first of many awkward entrances in 1982, when she is born in socialist Yugoslavia. The circumstances of her birth (a blackout, gasoline shortages, bickering parents) don’t exactly get her off to a running start. While around her, ethnic tensions are stoked by totalitarian leaders with violent agendas, Stefanovic’s early life is filled with Yugo rock, inadvisable crushes, and the quirky ups and downs...
"Discover a world of new and not-so-new things to learn and do. With all sorts of practical and interesting activities ranging from making a scooter and learning to juggle to building an electromagnet and extracting DNA in your own kitchen, there's never an excuse to be bored!" -- cover.
A collection of 36 extraordinary stories originally told on stage, featuring work by writers, entertainers, thinkers, and community leaders. Spanning comedy and tragedy, Alien Nation brilliantly illuminates what it’s like to be an immigrant in America. America would not be America without its immigrants. This anthology, adapted from storytelling event “This Alien Nation,” captures firsthand the past and present of immigration in all its humor, pain, and weirdness. Contributors—some well-known, others regular (and fascinating) people—share moments from their lives, reminding us that immigration is not just a word dropped in the news (simplified to something you are “for” or “a...
Sofija Stefanovic visits her eighty-year-old friend Bill and suspects he's being scammed over the internet – not for the first time. Compelled by Bill's devastating stories of online dating, heartbreak and bankruptcy, Sofija gets drawn into the underworld of romance scams. Her investigations take her to victims, experts and ultimately to her computer, where she uses a dead relative's photo to set up her own senior's dating profile. In the hope of interviewing a scammer, Sofija wades into murky territory as her lies grow and her online relationships get personal. As she moves through this confusing world, Sofija finds herself confronted by questions about loneliness, love and greed. You're Just Too Good To Be True is a sometimes very funny and sometimes desperately poignant investigation into the dark underside of love in the digital age. 'So well done. Bill's story is an amplification of the madness and delusion we've all gone through chasing love.' John Safran
Sofija Stefanovic visits her eighty-year-old friend Bill and suspects he's being scammed over the internet - not for the first time. Compelled by Bill's devastating stories of online dating, heartbreak and bankruptcy, Sofija gets drawn into the underworld of romance scams. Her investigations take her to victims, experts and ultimately to her computer, where she uses a dead relative's photo to set up her own senior's dating profile. In the hope of interviewing a scammer, Sofija wades into murky territory as her lies grow and her online relationships get personal. As she moves through this confusing world, Sofija finds herself confronted by questions about loneliness, love and greed. You're Just Too Good To Be True is a sometimes very funny and sometimes desperately poignant investigation into the dark underside of love in the digital age. 'So well done. Bill's story is an amplification of the madness and delusion we've all gone through chasing love.' John Safran
{\rtf1\fbidis\ansi\ansicpg1252\deff0\deflang2057{\fonttbl{\f0\fswiss\fprq2\fcharset0 Calibri;}{\f1\fnil\fcharset0 Verdana;}}\viewkind4\uc1\pard\ltrpar\qj\f0\fs22 Far reaching social and cultural changes happened in southeastern Europe between 7th and 4th millennia BCE. Recently discovered archaeological material from this geographical area is used in this volume to investigate apparent diversity of settlement organisation and the use of space in the course of the Neolithic period.\f1\fs17\par}
'Told with vivid lyricism yet unflinching in its gaze, Abeer Hoque's memoir is the tender coming-of-age story of migration on three continents, and about the pain, rupture, and redemptive possibilities of displacement.' - Tahmima Anam, author of The Bones of Grace 'Engrossing ... Hoque's writing is an elegant melange of candor and a strange sense of calmness, which she maintains throughout ... An evocative examination of identity and what it means to be true to yourself.' - Booklist, review, 2/1/2017 'Told with vivid lyricism yet unflinching in its gaze, Abeer Hoque's memoir is the coming-of-age story of migration on three continents, and about the pain, rupture, and redemptive possibilities...
All farming in prehistoric Europe ultimately came from elsewhere in one way or another, unlike the growing numbers of primary centers of domestication and agricultural origins worldwide. This fact affects every aspect of our understanding of the start of farming on the continent because it means that ultimately, domesticated plants and animals came from somewhere else, and from someone else. In an area as vast as Europe, the process by which food production becomes the predominant subsistence strategy is of course highly variable, but in a sense the outcome is the same, and has the potential for addressing more large-scale questions regarding agricultural origins. Therefore, a detailed under...
INSTANT NEW YORK TIMES BESTSELLER From Academy Award–nominated actress and 2023 SeeHer award recipient America Ferrera comes a vibrant and varied collection of first-person accounts from prominent figures about the experience of growing up between cultures. America Ferrera has always felt wholly American, and yet, her identity is inextricably linked to her parents’ homeland and Honduran culture. Speaking Spanish at home, having Saturday-morning-salsa-dance-parties in the kitchen, and eating tamales alongside apple pie at Christmas never seemed at odds with her American identity. Still, she yearned to see that identity reflected in the larger American narrative. Now, in American Like Me, ...