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A Série Universitária foi desenvolvida pelo Senac São Paulo com o intuito de preparar profissionais para o mercado de trabalho. Os títulos abrangem diversas áreas, abordando desde conhecimentos teóricos e práticos adequados às exigências profissionais até a formação ética e sólida. Recuperação de áreas degradadas traça um panorama dos fatores relacionados à perda da qualidade ambiental em cada um dos meios, como no solo, na água e no biótico. Os conteúdos mostram em sequência uma caracterização geral do meio, formas de degradação e medidas de mitigação por meio da sugestão de técnicas e programas para a recuperação das áreas. O livro trata também de algumas atividades específicas causadoras de degradação de ambientes, além de medidas legais e políticas vinculadas à promoção da recuperação de áreas degradadas, assim como para a prevenção dos processos de degradação. O objetivo é proporcionar ao leitor uma visão geral sobre os aspectos essenciais ao gerenciamento de planos para a recuperação de áreas degradadas.
The most comprehensive book ever written on leatherback sea turtles. Weighing as much as 2,000 pounds and reaching lengths of over seven feet, leatherback turtles are the world’s largest reptile. These unusual sea turtles have a thick, pliable shell that helps them to withstand great depths—they can swim more than one thousand meters below the surface in search of food. And what food source sustains these goliaths? Their diet consists almost exclusively of jellyfish, a meal they crisscross the oceans to find. Leatherbacks have been declining in recent decades, and some predict they will be gone by the end of this century. Why? Because of two primary factors: human redevelopment of nestin...
The Irish Times: Best Book of the Year New York Times Book Review: Editor's Choice The Times (UK): Book of the Week Pick Foreword Reviews: Book of the Day Pick Conde Nast Traveler: Best Book of the Season Pick Set on the eve of the financial crash of 2008, this evocative novel is made up of three stories linked by time and place, and also by the moving, unexpected interactions of a rich cast of characters. Barcelona Dreaming is narrated, in turn, by an English woman who runs a gift shop, an alcoholic jazz pianist, and a translator tormented by unrequited love, all of whose lives will be changed forever. Underpinning the novel, and casting a long shadow, is a crime committed against a young Moroccan immigrant. Exploring themes of addiction, racism, celebrity, immigration, and self-delusion, and fueled by a longing for the unattainable and a nostalgia for what is about to be lost, Barcelona Dreaming is a love letter to one of the world’s most beautiful cities and a powerful and poignant fable for our uncertain times.
In Touch, Laura U. Marks develops a critical approach more tactile than visual, an intensely physical and sensuous engagement with works of media art that enriches our understanding and experience of these works and of art itself. These critical, theoretical, and personal essays serve as a guide to developments in nonmainstream media art during the past ten years -- sexual representation debates, documentary ethics, the shift from analog to digital media, a new social obsession with smell. Marks takes up well-known artists like experimental filmmaker Ken Jacobs and mysterious animators the Brothers Quay, and introduces groundbreaking, lesser-known film, video, and digital artists. From this emerges a materialist theory -- an embodied, erotic relationship to art and to the world. Marks's approach leads to an appreciation of the works' mortal bodies: film's volatile emulsion, video's fragile magnetic base, crash-prone Net art; it also offers a productive alternative to the popular understanding of digital media as "virtual" and immaterial. Weaving a continuous fabric from philosophy, fiction, science, dreams, and intimate experience, Touch opens a new world of art media to readers.
Introduction.Big data for twenty-first-century economic statistics: the future is now /Katharine G. Abraham, Ron S. Jarmin, Brian C. Moyer, and Matthew D. Shapiro --Toward comprehensive use of big data in economic statistics.Reengineering key national economic indicators /Gabriel Ehrlich, John Haltiwanger, Ron S. Jarmin, David Johnson, and Matthew D. Shapiro ;Big data in the US consumer price index: experiences and plans /Crystal G. Konny, Brendan K. Williams, and David M. Friedman ;Improving retail trade data products using alternative data sources /Rebecca J. Hutchinson ;From transaction data to economic statistics: constructing real-time, high-frequency, geographic measures of consumer sp...
Most people are too busy to keep up with all the good movies they’d like to see, so why should anyone spend their precious time watching the bad ones? In Why It’s OK to Love Bad Movies, philosopher and cinematic bottom feeder Matthew Strohl enthusiastically defends a fondness for disreputable films. Combining philosophy of art with film criticism, Strohl flips conventional notions of "good" and "bad" on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure, some of the worst movies ever made are also among the best. Through detailed discussions of films such as Troll 2, The Room, Batman & Robin, Twilight, Ninja III: ...
Moon Beach is a city built on the business of burial; funeral parlours are everywhere, low-rise like fast-food chains. But just as death is a way of life in Moon Beach, life there shows all the sign of corruption and decay. It is a place filled with colourful eccentrics and unworldly happenings.
Named a Best Book of the Year by The Guardian, The Observer, PopMatters, and Sydney Morning Herald. The true story of a love affair between two extraordinary women becomes a literary tour deforce in this novel that recreates the surrealist movement in Paris and the horrors of the two world wars with a singular incandescence and intimacy. In the years preceding World War I, two young women meet, by chance, in a provincial town in France. Suzanne Malherbe, a shy seventeen-year-old with a talent for drawing, is completely entranced by the brilliant but troubled Lucie Schwob, who comes from a family of wealthy Jewish intellectuals. They embark on a clandestine love affair, terrified they will be...
In the late 80s, Katherine Carlyle is created using IVF. Stored as a frozen embryo for eight years, she is then implanted in her mother and given life. By the age of nineteen Katherine has lost her mother to cancer, and feels her father to be an increasingly distant figure. Instead of going to college, she decides to disappear, telling no one where she has gone. What begins as an attempt to punish her father for his absence gradually becomes a testing-ground of his love for her, a coming-to-terms with the death of her mother, and finally the mise-en-scene for a courageous leap from false empowerment to true empowerment. Written in the beautifully spare, lucid and cinematic prose that Thomson is known for, Katherine Carlyle uses the modern techniques of IVF and cryopreservation to throw new light on the myth of origins. It is a profound and moving novel about where we come from, what we make of ourselves, and how we are loved.