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History of Participatory Media
By offering a broad empirical approach to different modes of audience participation from the late eighteenth century up to the present, this book not only provides new insights to the expanding field of media history but also challenges the rhetoric of newness that characterizes contemporary discussions of participatory media.
Embalmed Time
What is a photographic image, a painting or a sculpture other than a way to capture the viewer's attention? The author has hopefully seen something in her environment that she wants to draw the viewer's attention to. The photographic image can, in other words, be said to be a trap for our gaze. These traps may be more or less effective, the viewer must work with this trap in order for it to work. This is because we cannot see something in an image that we have not already seen or we cannot see something that we have not already have been able to imagine. If another person may think the content, there is a possibility that the viewer can also see it. This book contains some thinking about what a photographic image really is in a couple of essays.
History of Participatory Media
This book argues for a historical perspective on issues relating to the notion of participatory media. Working from a broad concept of media – including essays on the 19th century press, early sound media, photography, exhibitions, television and the internet – the book offers a broad empirical approach to different modes of audience participation from the mid 19th century to the present. Using the insights from the historical case studies, the book also explores some of the key concepts in discussions on the politics of participation, arguing for a theoretical perspective sensitive to the asymmetries that characterize the distribution of agency in the relationship between media and users. Scholarly discussions on participatory media now occur in several fields. This book argues that all of these discussions are all too often obscured by a rhetoric of newness, assuming that participatory media is something unique in history, radical and revolutionary. By challenging the historiography implicit in this rhetoric, the book also engages in a discussion of issues of more general relevance to the multidisciplinary field of media history.
Sources in the History of Psychiatry, from 1800 to the Present
This book offers a general introduction to historical sources in the history of psychiatry, delving into the range of sources that can be used to investigate this dynamic and exciting field. The chapters in this volume deal with physical sources that might be encountered in the archive, such as asylum casebooks, artwork, material artefacts, post-mortem records, more general types of source including medical journals, literature, public enquiries, and key themes within the field such as feminist sources, activist and survivor sources. Offering practical advice and examples for the novice, as well as insightful suggestions for the experienced scholar, the authors provide worked-through example...
Circulating Communities
Circulating Communities: The Tactics and Strategies of Community Publishing, edited by Paula Mathieu, Steve Parks, and Tiffany Rousculp, represents the first attempt to gather the myriad of community and college publishing projects, providing not only history and analysis but extended samples of the community writing produced. Rather than feature only the voices of academic scholars, this collection features also the words of writing group participants, community organizers, literacy instructors, librarians, and stay-at-home parents as well. In libraries, community centers, prisons, and homeless shelters across the US and around the world, people not traditionally understood as writers regul...
The Business of News
The exchange of news belongs to the fabric of functional elites and affects institutionalisation processes in seventeenth century. The news market was part of the elite’s social economy. Investment in news resulted in participation and privilege.
A Social History of Disability in the Middle Ages
This book covers the social history of disability in the Middle Ages. By exploring cultural discourses of medieval disability, the volume opens up the subject of disability history prior to the modern period. The wealth, variety and significance of sources inform how law, work, age and charity affected medieval disability.
Expanding media histories
Contemporary media history is a rapidly growing field that extends far beyond traditional studies of technology or institutions such as radio, film, and television. This volume expands the scope further still to analyze ephemeral, mundane phenomena long overlooked by media historiography. In eight original essays, the volume demonstrates the strengths of a broad concept of the media. The first part centers on media systems and media events, with studies of spiritist séances, Gallup polls, the mediated persona of Kaiser Wilhelm II, and the burial of a Swedish elder statesman in 1915. The second part focuses on media materialities and infrastructure such as art replicas, ring binders, tourist guidebooks, and media technology in the IKEA home. Aimed at students and academics alike, Expanding Media Histories offers new empirical research, which engages critically with key concepts in media history today.
The New Russian Book
This book takes up the obtrusive problem of visual representation of fiction in contemporary Russian book design. By analyzing a broad variety of book covers, the study offers an absolutely unique material that illustrates a radically changing notion of literature in the transformation of Soviet print culture to a post-Soviet book market. It delivers a profound and critical exploration of Russian visual imaginary of classic, popular, and contemporary prose. Among all the carelessly bungled covers of mass-published post-Soviet series the study identifies gems from experimental designers. By taking a comparative approach to the clash of two formerly separate book cultures, the Western and the Soviet, that results both in a mixture of highbrow and lowbrow forms and in ideological re-interpretations of the literary works, this book contributes to opening an East-West dialogue between the fields of Russian studies, contemporary book and media history, art, design, and visual studies.
Communicating the North
What makes a magazine in South Africa promote Scandinavian unity among its immigrant readers and why does a Swedish king endorse attempts to influence pan-Scandinavian opinion through a transnational media event in Sweden, Norway and Denmark? Can portraits of exotic Lapplanders in the British press, enthusiastic accounts of the welfare state in post-war travel literature and descriptions of the liberal Nordic woman as a metaphor for a freer society in Franco Spain really be bundled together under a joint label of 'Nordicness'? How is it that despite the variety of images of the Nordic region that are circulating, we still find this recurring idea of a shared Nordic identity? These are some o...
