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Somerset House
  • Language: en
  • Pages: 258

Somerset House

  • Type: Book
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  • Published: 1967
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  • Publisher: Unknown

None

Stanley Spencer - Heaven in a Hell of War
  • Language: en
  • Pages: 111

Stanley Spencer - Heaven in a Hell of War

  • Type: Book
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  • Published: 2013-11
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  • Publisher: Unknown

The Sandham Memorial Chapel in Burghclere, Hampshire is widely upheld as one of the greatest war monuments of the twentieth century, built to house Stanley Spencer's celebrated mural cycle in honour of the forgotten dead of the First World War. Throughout 2014 Spencer's murals, which have been permanently displayed inside the chapel since its completion in 1932, will be removed for restoration. Pallant House Gallery will present the complete cycle of predella and lunette mural paintings as part of an exhibition of paintings and drawings organised in collaboration with the National Trust.

An Antiquarian Ramble in the streets of London; with anecdotes of their more celebrated residents ... Edited by C. Mackay
  • Language: en
  • Pages: 472
An Antiquarian Ramble in the Streets of London
  • Language: en
  • Pages: 430

An Antiquarian Ramble in the Streets of London

  • Type: Book
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  • Published: 1846
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  • Publisher: Unknown

None

The Streets of London
  • Language: en
  • Pages: 470

The Streets of London

  • Type: Book
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  • Published: 1861
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  • Publisher: Unknown

None

Londinium Redivivum
  • Language: en
  • Pages: 696

Londinium Redivivum

  • Type: Book
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  • Published: 1807
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  • Publisher: Unknown

None

The Streets of London, with Anecdotes of Their More Celebrated Residents ... Edited by Charles Mackay ... New Edition
  • Language: en
  • Pages: 472
Images of Rule
  • Language: en
  • Pages: 352

Images of Rule

  • Categories: Art

This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserv...