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The Music of the Moravian Church in America
The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship, and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Music of the Moravian Church...
Ecclesial Futures: Volume 1, Issue 2
Ecclesial Futures publishes original research and theological reflection on the development and transformation of local Christian communities and the systems that support them as they join in the mission of God in the world. We understand local Christian communities broadly to include traditional "parish" churches and independent local churches, religious communities and congregations, new church plants, so-called "fresh expressions" of church, "emergent" churches, and "new monastic" communities. We are an international and ecumenical journal with an interdisciplinary understanding of our approach to theological research and reflection; the core disciplines being theology, missiology, and ec...
Mozart, His Character, His Work
Written by one of the world's outstanding music historians and critics, the late Alfred Einstein, this classic study of Mozart's character and works brings to light many new facts about his relationship with his family, his susceptibility to ambitious women, and his associations with musicalcontemporaries, as well as offering a penetrating analysis of his operas, piano music, chamber music, and symphonies.
The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pa...
The Bach Family
When this volume was originally published in 1954 it was the first complete history of the Bach family from the 16th Century miller Veit to Wilhelm Friedrich Ernst (1759-1845), Johann Sebastian’s grandson. The author views the family as a whole and shows the characteristic similarities in their artistic and human attitudes as well as the most significant divergences. Equal stress is laid on the discussion of the personalities, against the swiftly changing historical scene, and on the music, for which the author was able to use vast, hitherto inaccessible material. Apart from describing the fascinating phenomenon of this musical family, the author gives a history of musical thought in the last 300 years.
Nelson's Dictionary of Christianity
This dictionary provides definitions for over 7,000 terms and names in the history of Christianity. The topics range from the foundational theological developments of the early church to the divisions of the Protestant Reformation to the missionary enterprises of the last two centuries. Nelson's Dictionary of Christianity is an essential resource for anyone who wants to know more about how Christians have lived, built the church, and worked to spread the gospel of Jesus Christ around the world.
The Classical Era: An Introduction to the Keyboard Music
Comprised of 13 pieces, this edition showcases the many dance forms of the Classical era and their evolution into the three- and four-movement sonata. A brief biography of each featured composer and a study of ornamentation are also included.
