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"Saraha's spontaneous songs, or dohas, contain the special instructions of a guru, whose qualities of realization can then directly enter the heart of devoted disciples. These songs represent the rare perfection of the Buddhist art of expressing the inexpressible, and they can trigger a mind-to-mind transmission that some take to have the power of directly pointing out the true nature of mind. Saraha's dohas are quoted fairly often in Indic materials, which points to the fact that he was indeed an influential authority. The dohas are the most distinctive literary expression of a class of tantric Buddhist masters called siddhas, hailed by tradition as beings of exceptional spiritual realizati...
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No country in the world is blessed with a greater variety of forms in music, dance and theatre than ours. One of the theatre forms generally described as folk but possessing a strong classical connection is the Yakshagana. Although the name signifies the music of celestial beings, Yakshagana is an amalgam of the sky with the earth. There is both mystery and robustness about this form in which singing and drumming merge with dancing, and words with gestural interpretation, and players clad m costumes of striking colour and contours. It is the cherished cultural possession of the coastal districts of Karnataka. Dr. K.S. Karanth is the foremost living authority on Yakshagana and has been workin...
Presents the direct use of bioethanol fuels in electric cars and the indirect use of bioethanol fuels in electric cars in the form of biohydrogen produced from bioethanol fuels Discusses bioethanol fuel-based bioelectricity production, bioethanol fuel-based biochemical and biohydrocarbon production Discusses direct bioethanol fuel cells, bioethanol fuel electrooxidation, catalysts for bioethanol fuel oxidation, and nanotechnology applications in fuel cells Includes case studies of bioethanol fuel-based biochemical and biohydrocarbon production, nanosensors, ZnO-based nanosensors, and SnO2-based nanosensors
Classic of American anthropology explores messianic cult behind Indian resistance, from Pontiac to the 1890s. Extremely detailed and thorough. Originally published in 1896 by the Bureau of American Ethnology. 38 plates, 49 other illustrations.