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A South African Convivio with Dante
This book offers a collection of South African university students’ written responses to the Commedia and scholars’ commentary on them. The students’ collection includes writings of all genres and subjects: prose, poetry, personal reflection, dialogue, non-fiction based on the first two cantiche of the Commedia. Some are autobiographical and others are fictional stories, but they all have in common a very personal (and South African) approach to Dante’s text. The scholarly essays of the second part are concerned with the unusual way in which Dante is appreciated by our youth: not as a remote figure only encountered in the hallways of the literature department, but as an intimate presence, a guide, a friend whose language is familiar and invites a response.
The Plague Years
The Plague Years collects scholarly and essayistic reflections on literary, visual, and sonic representations of the COVID-19 and other pandemics. These are placed alongside poetry and short fiction written in the first two years of quarantine or isolation. This range expresses the intellectual and imaginative struggle and ingenuity entailed in coming to terms with the rampant spread of disease and its emotional, cultural, and political consequences. The contributions are from diverse contexts: Africa (from Egypt to South Africa), China, Japan, the US, and Scandinavia. They consider some of the array of contemporary engagements: poems translated from Mandarin about the traumas of the frontli...
A Long Walk to Purgatory: The Tales of Dante & Mashudu
A Long Walk to Purgatory is a play that places Dante in the South African context. It works with the idea that dead poets must guide living poets through the afterlife on a journey of poetic reckoning. It is now Dante's turn to guide a poet, as he was once guided by Virgil. Dante comes to meet Mashudu, a South African poet in her Dark Wood. He comes to take her through Inferno and Purgatory where she meets South African characters along the way including Jan Van Riebeeck and John Dube. Driving the play is the notion that poets need to know where they come from in order to play their role as aids to how a nation understands itself. This means Mashudu has to witness the truth of her context bo...
The Scandalous Times of a Book Louse
A magical coming-of-age tale in rural Zimbabwe Ah, you’ve arrived. Sit down, please, and make yourself comfortable. There may not be much dinner tonight – Father is still out of work; Mother can’t do anything with those stunted maize plants in the stony ground – but at least you are here, in Gushure Village, home to unsurpassed raconteurs and the Guramatunhu family, who know that telling stories staves off hunger. Surprise awaits at every turn: thoughts and conversations bloom into poems, political speeches and songs. You will find instructions for cooking a hare, for how to defend yourself when a dead snake is your enemy’s chosen weapon, how to speak in war tongues, how to compose...
De persecutione Anglicana by Robert Persons S.J.
Presenting the text of a notorious Jesuit attack on Queen Elizabeth I's treatment of her Catholic subjects, this volume highlights the European context of the English Reformation and Robert Persons's role as propagandist. In De persecutione Anglicana, Robert Persons (15461610) graphically describes the conditions in prisons, the harassment of Catholics at home and the gruesome manner of execution for treason. The work culminates in the arrest of the famous Jesuit martyr Edmund Campion, with rapidly revised versions bringing the narrative up to date after Campion's execution on 1 December 1581. Written in Latin to appeal to readers throughout Europe, it was translated into French, Italian a...
Words and visions around/about Chinese transnational mobilities 流动
This collection gathers the contributions of ten scholars on the topic of transnational cultural and physical mobility originating in China. These contributions aim to open conversations among Chinese Studies scholars by applying a Mobility Studies perspective. Exploring diverse narratives and forms of representation from people of Chinese heritage, the book is divided into three parts that each look closely at the relationship between movement and cultural production. The first part is dedicated to four types of mobility of people from China to Italy, namely tourist mobility (Miriam Castorina), labor mobility (Valentina Pedone), student mobility (Xu Hao), and mobility of social elites (Andrea Scibetta). The second part is dedicated to examples of reverse mobility from Italy to China (Gao Changxu, Chiara Lepri, Giuseppe Rizzuto). The third part focuses on case studies based on mobilities from China to territories other than Italy (Rebecca Ehrenwirth, Martina Renata Prosperi, Giulia Rampolla).
DIVINE COMEDY
The Divine Comedy is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view of the 14th century. The first-person narrative describes Dante's travels through Hell, Purgatory, and Paradise or Heaven, while allegorically the poem represents the soul's journey towards God. In Dante's work, Virgil is presented as human reason and Beatrice is presented as divine knowledge. This edition contains the famed illustrations by Gustave Doré which is matched by the inimitable translation of H. W. Longfellow, the first and formidable American translator of the Divine Comedy who is still considered as one of the best translators of this great classic.
Les Demoiselles d’Avignon and Modernism
The book meticulously analyses the history of the critical reception of avantguard art through the interpretations received by one of its greatest emblems, Les Demoiselles d'Avignon by Picasso, 1907. Since Les Demoiselles has been considered over this century the true paradigm of Modern Art, this book is, fundamentally, a sort of synthesis of the discourses about Modernism from formalism, iconology, Leo Steinberg's 'Other Criteria’, sociological, the biographical and psychoanalytical theses, cultural and historicist and lastly, the impact of post-structuralism and the feminist, post-colonialist and transnational interpretations. The final chapter deals with the artistic versions of Les Demoiselles d'Avignonmade by artists. It is an essay on the different versions and identities of Modern Art and Modernism that have been produced throughout the last century.
Plants and vegetation of NW Ethiopia
Pichi Sermolli’s work with his more than 2750 collections of plants from nearly 150 localities on the Lake Tana expedition in Ethiopia in 1937 was interrupted by World War II, but completed in 1947 at the Royal Botanic Gardens, Kew, and the British Museum (Natural History), UK. It resulted in preliminary accounts of the vegetation published 1938-40 and a taxonomically arranged account in 1951, all in Italian. Pichi Sermolli’s observations are difficult to locate due to the imperfect maps of the time, but in this book the authors have reconstructed the sequence of the collections, georeferenced the localities, and updated the identifications of the species. By reconstructing Pichi Sermoll...
Il video a 360° nella didattica universitaria
Il volume affronta il tema dell’impiego educativo del video a 360° all’università, per avvicinare i docenti all’adozione di pratiche didattiche innovative. L’uso di questa tecnologia sta conoscendo una fase di rapida evoluzione, attraendo l’interesse di docenti di aree disciplinari diverse per le potenzialità del video a 360° di anticipare esperienze, specie in contesti a rischio. Il volume offre un quadro teorico e metodologico delle dimensioni coinvolte, accompagnato da un approfondimento sugli aspetti tecnici. Ampio spazio è dedicato ai risultati di SEPA360, un progetto di faculty development sul video a 360°, e alle buone pratiche che ha generato. Il volume può essere un valido strumento per docenti universitari, insegnanti, formatori, interessati all’uso delle tecnologie immersive nella formazione.
