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Communication and gender
Communication is a fundamental aspect of human interaction that is strongly influenced by social and cultural factors. Gender, on the other hand, is a socially constructed concept that significantly shapes communication patterns. This complex relationship between communication and gender is the focus of a multilingual volume (English, Italian, Spanish) that spans cultures from Mexico to Georgia. With her profound knowledge of the subject and her keen eye for detail, prof. Sonia Maria Melchiorre has masterfully curated a collection that not only showcases the latest research and groundbreaking insights, but is also a testament to her deep passion for scholarly exploration. Contributing scholars have explored the topic from a socio-economic, cultural and sexual orientation perspective to facilitate discussions on how individuals from different backgrounds express themselves. Highlighting the dynamic interplay between communication, gender and social contexts, this volume offers valuable insights into the complexities of human interaction, promoting intercultural dialogue
Georgia on my mind
The series Genderising. Redesigning Gender is a gamble that demonstrates how much the networking activity of universities, together with other society actors, such as our publisher here, and all over the world, can contribute to bringing different cultures together, to help them grow in their respective socio-cultural contexts. This volume is a result of academic cooperation between the University of Tuscia, Viterbo, Italy and the Ivane Javakhishvili Tbilisi State University (TSU), Tbilisi, Georgia. The papers were written by academic staff and young researchers working at TSU. They all discuss some of the issues concerning gender from different points of view. Gender has become an interesting issue for research in academia due to its interdisciplinarity. This volume reveals the diversity of the directions for research in this respect. This series is dedicated to all those who have always believed that gender studies, as a transdisciplinary field, could have a future in the academia.
The mariner sails on
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Imaginary Homeland
None
Georgia on my mind
The series Genderising. Redesigning Gender is a gamble that demonstrates how much the networking activity of universities, together with other society actors, such as our publisher here, and all over the world, can contribute to bringing different cultures together, to help them grow in their respective socio-cultural contexts. This volume is a result of academic cooperation between the University of Tuscia, Viterbo, Italy and the Ivane Javakhishvili Tbilisi State University (TSU), Tbilisi, Georgia. The papers were written by academic staff and young researchers working at TSU. They all discuss some of the issues concerning gender from different points of view. Gender has become an interesting issue for research in academia due to its interdisciplinarity. This volume reveals the diversity of the directions for research in this respect. This series is dedicated to all those who have always believed that gender studies, as a transdisciplinary field, could have a future in the academia.
Jeanette Winterson and Religion
Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author's work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.
