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On Fashion
Barbie Magazine and the aesthetic commodification of girls' bodies (I.M. O'Sickey). This year's girl: a personal/critical history of Twiggy (L. B. DeLibero). A woman's two bodies: fashion magzines, consumerism and feminism (L.W. Rabine). No bumps, no excrescences: Amelia Earhart's failed flight into fashions (K. Jay). Sonia Rykiel in traslation (H. Cixous). From Celebration (S. Rykiel). Off the (W)rack: fashion and pain in the work of Diane Arbus (C. Shloss). An erotics of representation: fashioning the icon with Man Ray (M.A. Caws). Seduction and elegance: the new woman of fashion in silent cinema (M. Turim). Madonna, fashion and identity (D. Kellner). Fragments of a fashionable discourse (K. Silverman). Womenrecovering our clothes (I.M. Young). Fashion and the homospectatorial look (D. Fuss). Terrorist chic: style and domination in contemporary Ireland (C. Herr). Paris or perish : the plight of the latin american indian in a westernized world (B. Brodman). Tribalism in effect (A. Ross).
Sonia Rykiel
Published in conjunction with an exhibition at the Musee des Arts Decoratifs in Paris, this handsome volume presents fashions by noted designer Sonia Rykiel who celebrated her 40th anniversary in fashion in October 2008 and was famously anointed the fashion world's "Queen of knitwear" by "Women's Wear Daily." This sumptuous book is a celebration of the iconic designer's lifetime in fashion. Included are photographs from 80 seasonal collections spanning 40 years and interlaced with remarkable personal anecdotes and reminiscences alongside candid photos of the designer by acclaimed photographers Dominique Issermann and Sarah Moon. Also included are images from the official campaigns that origi...
Sonia Rykiel
Traces the French desiger's rise to success in the world of fashion and features photographs and sketches of some of her creations.
Designing a Knitwear Collection
Designing a Knitwear Collection is an essential and comprehensive overview of the knitting design and development process.
Sonia Rykiel
Fluidité des lignes, souplesse des matières, subtilité des couleurs et des textiles : la mode de Sonia Rykiel se distingue par son soucis du corps de la femme, qu'elle accompagne, qu'elle épouse tout en la magnifiant. Ludique et sensuelle, elle se veut avant tout mode au quotidien, d'un quotidien qui serait tout entier un théâtre. Pour Sonia Rykiel, la mode s'écrit au jour le jour, suivant les enthousiasmes, les lassitudes et les humeurs ; c'est une passion qui vient s'inscrire parmi d'autres : la lecture, la peinture, la poésie ou la famille. Comme autant d'éléments d'une constellation personnelle et lyrique.
Luxury Brand Management
A fascinating and comprehensive examination of the different dimensions of luxury management in various sectors. This is a powerful book for marketers, advertisers and brand managers in understanding the intricacies of the luxury market- how it is designed, defined and divined. Written by the authors of Pro-Logo, this book sets the benchmark for luxury brand management.
The Clothes that Wear Us
Throughout the collection, there is an emphasis on the ways in which clothing could function to appropriate, explore, subvert, and assert alternative identities and possibilities."--BOOK JACKET.
Fashion
Illustrates a wide range of historical garments, underwear, shoes and fashion accessories dating from the eighteenth century to the present day.
Poetry in Painting
The first book by Helene Cixous on painting and the contemporary arts. This collection gathers most of Helene Cixous' texts devoted to contemporary artists, such as the painter Nancy Spero, the photographer Andres Serrano, the visual artist Roni Horn, the fashion designer Sonia Rykiel and the choreographer Karine Saporta, among others. The artworks belong to different genres and media - photography, painting, installations, film, choreography and fashion design - while the commentaries all deal with some of Helene Cixous' privileged themes: exile, war, violence (against women) and exclusion, as well as love, memory, beauty and tenderness.Neither art criticism nor a collection of critical essays, Helene Cixous responds to these artworks as a poet, reading them as if they were poems. Written between 1985 and 2010, most of these essays are unpublished in English, or published only in rare catalogues or art books.
