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Billy the Girl
I wish you could just like consider – consider the chance of it being an accident. 'Cos you're so sure. You're so sure that I did this awful thing. Billy is out waiting for love where she last saw it. Her mum is certain love has walked into her life again. Her sister thinks love could still be found somewhere in the house . . . but Billy herself isn't even allowed through the door. In Katie Hims's sweet, stark family elegy, love never dies, but sometimes – like Billy – it has to sleep in the caravan with Frank's ashes and a bear costume. Billy the Girl is a sharp, yet gentle, look at a fractured family dealing with a lifetime of mistrust.
Messy Connections
This book examines performance practices that involve people in recovery from addiction, theorising such practices as recovery-engaged. Focusing on examples of practice from a growing movement of UK-based recovery arts practitioners and performers, it highlights a unique approach to performance that infuses an understanding of lived experiences of addiction and recovery with creative practice. It offers a philosophy of being in recovery that understands lived experience, and performance practice, as a dynamic system of interrelations with the human and nonhuman elements that make up the societal settings in which recovery communities struggle to exist. It thereby frames the process of recove...
Feminist Theory Reader
Feminist Theory Reader is an anthology of classic and contemporary works of feminist theory, organized around the goal of providing both local and global perspectives.
The Big House Anthology: Diverse Plays for Diverse Casts
The Big House Anthology is a celebration of the last decade of work and plays by a unique theatre company, featuring five original plays that offer a chance for stories with diverse casts to contribute to the canon of theatre's literature. As a UK-based theatre company, The Big House empowers care leavers and other disadvantaged young people through performance and long-term support. Their plays are born from the hearts and minds of the young people they engage, with this anthology offering five very different plays: a runner struck down by MS; a rapper who spits and snarls and tries to find it in herself to forgive; a teenager who fights for wealth, status and respect in the underworld of c...
Glory Whispers & The Monkey
These two plays - the winners of Synergy Theatre Project's Prison Writing Competition - tell the tense but often funny stories of drug users and the stress their habits place on their relationships. In Glory Whispers, we see Mina visited by Glory after many years away. Hopeful of seeing Glory's little boy, Mina overlooks Glory's drinking and possible drug use. But when Mina's boyfriend Jonno returns unexpectedly, the troubles and pressures of their relationships see the illusion fall away. The Monkey sees Terry on a rampage trying to reclaim the £500 his friend Alan (aka 'Thick-Al') owes him. Terry's unpredictability, the result of an accident many years before, drives the piece in dark, violent but often hilarious and unexpected ways. These plays were published to coincided with a 2017 production at Theatre503, London, by Synergy Theatre Company.
Rebel Voices: Monologues for Women by Women
Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.
Applied Theatre: Women and the Criminal Justice System
Applied Theatre: Women and the Criminal Justice System offers unprecedented access to international theatre and performance practice in carceral contexts and the material and political conditions that shape this work. Each of the twelve essays and interviews by international practitioners and scholars reveal a panoply of practice: from cross-arts projects shaped by autobiographical narratives through to fantasy-informed cabaret; from radio plays to film; from popular participatory performance to work staged in commercial theatres. Extracts of performance texts, developed with Clean Break theatre company, are interwoven through the collection. Television and film images of women in prison are...
Performance in a Pandemic
This edited collection gathers UK and international artists, academics, practitioners, and researchers in the fields of contemporary performance, dance, and live art to offer creative-critical responses to the impact of the COVID-19 pandemic on their work. Themes addressed in these case studies include the ways in which liveness functions across digital platforms, the new demands on audiences and performance-makers, and the impact on international festivals as the digital removes geographical and locational restrictions. Brought together, these examples capture the creative activity and output that this unexpected cultural moment has provoked. Creative-critical responses interrogate what the global pandemic has taught us about what it is to make live work during lockdown and explore what the future of performance-making in a post-COVID world might look like. For all scholars and performance-makers whose work brings them into the sphere of contemporary art and culture, this is an essential and stimulating account of practice at the beginning of the 2020s.
Some Descendants of William Bates of Newton Creek and Edward Hazen
William Bates (b.1640) immigrated about 1670 from England to Ireland, and in 1681 immigrated to land near Newton Creek, New Jersey. He died before November 1700 at South Camden, New Jersey. Descendants lived in New Jersey, New York, Ohio, Texas and elsewhere.
Textile Red Book
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