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Cheong Soo Pieng
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Soo Pieng
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Cheong Soo Pieng
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Cheong Soo Pieng
Cheong Soo Pieng: Layer by Layer presents a unique insight into the artist’s innovative use of materials in painting through examples from the 1940s to 1980s. This exhibition catalogue features artwork plates presented alongside technical photographs that illuminate Cheong’s artistic process and choice of materials. Accompanied by essays that explore the intersections between conservation science and art historical research, it poses the question: what makes a painting?
Cheong Soo Pieng
Cheong Soo Pieng: Layer by Layer presents a unique insight into the artist’s innovative use of materials in painting through examples from the 1940s to 1980s. This exhibition catalogue features artwork plates presented alongside technical photographs that illuminate Cheong’s artistic process and choice of materials. Accompanied by essays that explore the intersections between conservation science and art historical research, it poses the question: what makes a painting?
Soo Pieng
None
Cheong Soo Pieng
Cheong Soo Pieng was an artist who created visually fresh pictures of Southeast Asia's landscapes and people. By marrying the artistic traditions of the East and the West, he broke new ground in the portrayal of the tropics. Common Southeast Asian subjects-a fisherman's kelong, two sarong-clad women on the way to the market, a group of people busy drying fish, the graceful figure of a Balinese dancer-take on new stylised forms through Cheong's deft use of pictorial devices and techniques from different cultures and traditions, such as Chinese ink painting, Western oil painting, Cubism, geometric abstraction and wayang kulit. This book is the first of its kind on Cheong. Ninety-four colour plates present the reader with the breadth and complexity of this Nanyang artist's extensive oeuvre. The chapters include a wealth of personal photographs as well as the latest research on the artist. Pictures of recently unearthed drawings, sketches, watercolours and woodcut prints shed further light on Cheong's personal philosophy and artistic ambitions.
Reframing Modernism: Painting from Southeast Asia, Europe and Beyond
What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
Shell Art & Advertising
Exploring Shell's remarkable advertising archive, which includes an extensive poster collection, as well as film, cartoon graphics and guidebooks, this book is the first to present a comprehensive overview of the company's artistic heritage. The key contributions made by some major artists and designers including Paul Nash, Graham Sutherland, Ben Nicholson and Edward McKnight Kauffer are highlighted and beautifully reproduced from original archive material, and broader questions are explored, such as Shell's position within contemporary debates regarding the aesthetics of 'Commercial Art'. By delving into the ways in which Shell's publicity was conceived, commissioned and disseminated in the 20th century, the authors examine the historical and social contexts of Shell?s advertising and assess the work's broader cultural significance in shaping an era defined by travel, prosperity and mass democracy.
