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Barbara Hepworth
"Barbara Hepworth's work and ideas are illuminated in her own lucid and eloquent words in this first collection of her writings and conversations. The collection makes available much that is out of print and inaccessible, and includes a significant number of unpublished texts. It is a surprisingly large body of work, and it spans almost the whole of Hepworth's artistic life. Her gift for language and desire to communicate to a public are evident throughout. Alongside the writings are Hepworth's lectures and speeches, a selection of interviews and conversations with writers and journalists, and radio and television broadcasts. The collection sheds new light on Hepworth's life, her working practices, the sources of her inspiration, the breadth of her intellectual interests and her deep engagement with contemporary politics and society, from the United Nations to St Ives. The illustrations include manuscripts and archive photographs from Hepworth's own collection"--Publisher's description
Barbara Hepworth, the Plasters
Discusses Hepworth's work and the museum designed to display it.
Braque
This volume is the catalogue for the spring 1997 exhibition at the Royal Academy in London and at the summer 1997 exhibition at the Menil Collection in Houston. The exhibition focuses on Braque's late works including the Interiors, Billiard Tables and the late Bird paintings.
Barbara Hepworth
Barbara Hepworth: The Sculptor in the Studio' is the first study devoted to Hepworth's St Ives studio in which the centrality of Trewyn Studio and garden to her art and life is brought to the fore. 'It affects my whole life & work most profoundly', she wrote to a friend in 1949 shortly before acquiring it. A history and a portrait of a unique place, the book illuminates the ways in which the place and the work are bound together. It explores Hepworth's working environment and the development of her practice over a period of 25 years. The studio, and especially the garden that Hepworth shaped, was the primary and ideal context in which her sculptures were viewed. Following Hepworth's death in 1975, Trewyn Studio was opened as the Barbara Hepworth Museum and Sculpture Garden, fulfilling the hopes she had expressed at the end of her life. The adaptation of Hepworth's studio-home to create the Museum is examined in detail.
From Hand to Handle
This volume brings together evidence for the cognitive, social, and technological foundations necessary for the development of hafting, or the addition of handles and shafts to previously hand-held tools, which made the tools not only more efficient, but improved their makers' chances of survival.
The Architecture of Error
Why the rise of redundant precision in architecture and the accompanying fear of error are key to understanding the discipline's needs, anxieties and desires. When architects draw even brick walls to six decimal places with software designed to cut lenses, it is clear that the logic that once organized relations between precision and material error in construction has unraveled. Precision, already a promiscuous term, seems now to have been uncoupled from its contract with truthfulness. Meanwhile error, and the always-political space of its dissent, has reconfigured itself. In The Architecture of Error Francesca Hughes argues that behind the architect's acute fetishization of redundant precis...
British Experimental Women’s Fiction, 1945—1975
This book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a commitment to challenging the tenets of British mimetic realism as a literary and historical phenomenon. This collection reassesses how British female novelists operated in relation to transnational vanguard networking clusters, debates and tendencies, both political and artistic. The chapters collected in this volume enquire, for example, whether there is something fundamentally different (or politically dissident) about female experimental procedures and perspectives. This book also investigates the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelists at least as diverse as recent and longer established work in the domain of modernist studies.
The Real and the Romantic
The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names Paul Nash, Eric Ravilious and Stanley Spencer have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britains leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting ...
Oceans
OCEANS attends to the inextricable human and nonhuman agencies that affect and are affected by the sea and its running currents within contemporary art and visual culture. Oceans cover more than 70 percent of the Earth’s surface, dividing and connecting humans, who carry saltwater in their blood, sweat and tears. They also represent a powerful nonhuman force, rising, flooding, heating and raging in unprecedented ways as the climate crisis unfolds. Artists have envisioned the sea as a sublime wilderness, home to mythical creatures and bizarre species, a source of life and death, a site of new beginnings and tragic endings, both wondrous and disastrous. From migration to melting ice caps, th...
Barbara Hepworth
A richly illustrated biographyon the life and work ofBarbara Hepworth, one of thetwentieth century's mostinspiring artists and a pioneerof modernist sculpture.
