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Sophie ist ein Kuckuckskind. Nach einer von Kälte, Ablehnung und Gewalt geprägten Kindheit erfährt sie erst im Alter von 35 Jahren, dass ihr Vater nicht ihr Vater ist. Erneut tief verletzt von den Lügen ihrer Jugend und der Erkenntnis, dass sie sich jahrelang um die Liebe und Zuneigung des falschen Mannes bemüht hat, begibt sie sich auf die Suche nach der Wahrheit. Ein jahrelanger, dramatischer Kampf um die Ermittlung ihres tatsächlichen Vaters beginnt. Bence, ihr ungarischer Erzeuger, setzt Himmel und Hölle in Bewegung, um die amtliche Feststellung seiner Vaterschaft zu verhindern. Der schwerreiche Unternehmer geht dazu bis zum Bundesverfassungsgericht. Dabei übersieht er jedoch etwas Entscheidendes: Seine Tochter hat nicht nur seine Augen geerbt, sondern auch seine Beharrlichkeit. Weder das jahrelange Warten auf Gerichtsbeschlüsse noch die unzähligen persönlichen Angriffe aus der Familie ihres vermeintlichen Vaters oder der Verlust des gerade erst gewonnenen Halbbruders, der sich von ihr abwendet, können sie von ihrem Weg abbringen.
Seventeen stories from one of Europe's most enchanting cities.
The volume examines the proliferation of inventorying models and practices as cultural techniques of knowledge organization and production during the long nineteenth century. While inventories are still broadly treated as raw data and unprocessed source materials, the book shows how they function as complex media formats, intersecting and interfering with other material techniques to produce, store, distribute, organize and process cultural information. How do inventories work against and in dialogue with other media of collection, storage and retrieval such as catalogs, indexes, bibliographies, and archives; what new media configurations do techniques of inventorying enable and how, in turn, are such techniques shaped by the media channels and formats they employ; what is at stake in the critical effort of "taking stock", whether as commercial, bureaucratic, literary, historiographical, or scientific operations; finally, what do such operations tell us specifically about the production and circulation of knowledge in the German nineteenth century?
A valuable survey and reference resource It is hard to imagine a more needed and more useful literary reference work than this one, which gives students and readers quick access to the lives and work of a wide range of notable female writers from England and the Continent, from Aphra Behn to Emily Bronte, from Simone de Beauvoir to Isak Dinesen, from Bridget of Sweden to Hannah Arendt. Writers in more than 30 languages are included: French, Czech, Greek, Italian, Swedish, Spanish, German, Russian, Portuguese, Serbian, Catalan, Arabic, Hebrew, Dutch, Bulgarian, Croatian, Slovak, and more. Covers 1,500 years and all major genres Going back 15 centuries, the Encyclopedia covers the authors of n...
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'Sometimes - not often - a book comes along that feels like Christmas. Philip Hensher's timely, but timeless, selection of the best short stories from the past 20 years is that kind of book. His introduction is as enriching as anything that has been published this year' Sunday Times A spectacular treasury of the best British short stories published in the last twenty years We are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories, has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day.
Author's address given to the Centre for Advanced Study, University of Sofia, hosted by Alexander Kiossev.
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