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Magic in the Cloister
During the late thirteenth and early fourteenth centuries a group of monks with occult interests donated what became a remarkable collection of more than thirty magic texts to the library of the Benedictine abbey of St. Augustine's in Canterbury. The monks collected texts that provided positive justifications for the practice of magic and books in which works of magic were copied side by side with works of more licit genres. In Magic in the Cloister, Sophie Page uses this collection to explore the gradual shift toward more positive attitudes to magical texts and ideas in medieval Europe. She examines what attracted monks to magic texts, works, and how they combined magic with their intellectual interests and monastic life. By showing how it was possible for religious insiders to integrate magical studies with their orthodox worldview, Magic in the Cloister contributes to a broader understanding of the role of magical texts and ideas and their acceptance in the late Middle Ages.
Magic in Medieval Manuscripts
Magic in Medieval Manuscripts explores the place of magic in the medieval world and the contradictory responses it evoked, through an exploration of images and texts in British Library manuscripts.
The Routledge History of Medieval Magic
The Routledge History of Medieval Magic brings together the work of scholars from across Europe and North America to provide extensive insights into recent developments in the study of medieval magic between c.1100 and c.1500. This book covers a wide range of topics, including the magical texts which circulated in medieval Europe, the attitudes of intellectuals and churchmen to magic, the ways in which magic intersected with other aspects of medieval culture, and the early witch trials of the fifteenth century. In doing so, it offers the reader a detailed look at the impact that magic had within medieval society, such as its relationship to gender roles, natural philosophy, and courtly culture. This is furthered by the book's interdisciplinary approach, containing chapters dedicated to archaeology, literature, music, and visual culture, as well as texts and manuscripts. The Routledge History of Medieval Magic also outlines how research on this subject could develop in the future, highlighting under-explored subjects, unpublished sources, and new approaches to the topic. It is the ideal book for both established scholars and students of medieval magic.
Astrology in Medieval Manuscripts
"Astrology in Medieval Manuscripts describes the complexity of western medieval astrology and its place in society, as revealed by a wealth of illustrated manuscripts and historical background."--BOOK JACKET.
To Marry a Prince
One night is about to change Bella's life for ever... Bella Greenwood isn't a fairytale girl. If pushed, she'd probably tell you that her perfect wedding would involve a handful of close friends and family. But as she's never met anyone she'd like to marry, it's a moot point. Until, in a midnight garden, Bella is helped out of an embarrassing situation by a tall, dark, handsome man with laughing eyes. And suddenly her life changes for ever, because the man is the world's most eligible bachelor: Prince Richard, heir to the throne. Richard sweeps her off her feet, and before she knows it they're engaged. Which is when Bella's problems really begin. Suddenly she is public property, and as if it isn't enough to have her every move watched - while also learning to curtsy and negotiating the etiquette of how to address her future mother-in-law - she soon finds herself embroiled in bridesmaid politics, a right royal hen night, and a wedding dress controversy that causes a national scandal... Can this ordinary girl survive the preparations for her very own Royal Wedding?
Spellbound
Spellbound' explores the concept of 'magical thinking', which describes how people in all ages and cultures have sought to connect with an unseen world of perceived power. This concept of magical thinking is used here to explore the history of medicine and the mind, focusing in particular on magic's secular expressions. Spells, magical objects and rituals are engines of hope, and hope is essential to physical and mental health, indeed to survival. These ideas are explored and conveyed through the extraordinary visual culture of magic, offering an introduction to diverse magical objects, from the exquisite, such as engraved rings and illuminated manuscripts, to the unsettling - a shoe embedded in a wall or a bull's heart pierced with nails. Exhibition: Ashmolean Museum, Oxford, UK (31.08.2018 -- 06.01.2019)
The Unorthodox Imagination in Late Medieval Britain
The unorthodox imagination in late medieval Britain explores how medieval people responded to images, stories, beliefs and practices which were at odds with the normative world view, from the heretical and subversive to the marvellous and exotic. The Neale lecture by Jean-Claude Schmitt examines why some unorthodox images were viewed as provocative and threatening and explores how successfully ecclesiastical authorities contained their impact. The power of unorthodoxy to provoke wonder, skepticism or disapproval provides an opportunity to view medieval culture from fresh perspectives. The essays in this volume show that unorthodoxy was embedded in mainstream medieval culture, from stories of fairies and witches which promoted orthodox moral values to the social conformity of practitioners of ritual magic. This book provides a guide to understanding medieval unorthodoxy and the roles played by experience and imagination in medieval encounters with the unorthodox. It will be essential reading for anyone interested in the exotic, provocative and deviant in medieval culture.
The Wild Way Home
'So good I read it twice' - Hilary McKay, author of The Skylarks' War 'This thrilling time-slip adventure oozes magic and heart' - Bookseller EDITOR'S CHOICE When Charlie's longed-for brother is born with a serious heart condition, Charlie's world is turned upside down. Upset and afraid, Charlie flees the hospital and makes for the ancient forest on the edge of town. There Charlie finds a boy floating face-down in the stream, injured, but alive. But when Charlie sets off back to the hospital to fetch help, it seems the forest has changed. It's become a place as strange and wild as the boy dressed in deerskins. For Charlie has unwittingly fled into the Stone Age, with no way to help the boy or return to the present day. Or is there? What follows is a wild, big-hearted adventure as Charlie and the Stone Age boy set out together to find what they have lost - their courage, their hope, their family and their way home. Fans of Piers Torday and Stig of the Dump will love this wild, wise and heartfelt debut adventure.
Sophie Taeuber-Arp
A true pioneer of modern art Sophie Taeuber-Arp (1889-1943) was an artist but also a dancer, designer, puppet maker, architect, and editor. A true pioneer of modern art, for Taeuber-Arp, abstraction was never just an idea--it was her way of life. This lived abstraction plays a large part in the exhibition as the artwork on show, many together for the first time, explore how Taueber-Arp's subversive, dissident, and often revolutionary style radiated into every facet of her life and paved the way for modern artists to come. Taeuber-Arp became a teacher after studying art and dance and later taught others how to design patterns for textiles. In the terrible wake of the First World War, European...
Tired and Tested
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