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In this work, Anne-Christine D'Adesky, an award-winning reporter, offers a global analysis of AIDS treatment and prevention, in countries from South Africa to China.
Having seriously believed that she was destined to become a spinster, Elizabeth Bennet finds herself married to one of the most eligible bachelors in Derbyshire. She now faces the daunting task of assuming her place within the vast and prestigious family estate of Pemberley. A few ill-disposed individuals would delight to see her fail so there is little room for error as she learns to lead her new household. Darcy is at her side, of course, but he cannot shelter her entirely as gossiping tongues follow her every move. She must navigate the isolation she feels as a stranger in this new setting and learn how to honour her new responsibilities while the lingering presence of her late mother-in-law, Lady Anne, to whom she is always compared, hangs over her. Thankfully, Elizabeth is resourceful. One day, she will triumph over even her harshest critics and prove herself worthy as mistress of Pemberley.
This handbook provides a unique overview of rehabilitation as practiced internationally in criminal justice. Through the contributions of a diverse group that includes, among others, academics (some of whom are former practitioners), research students, a judge, and a probation chief, it reflects common features of criminal justice in different countries and documents their diversity and celebrates their vitality. In recent times the idea of ‘law and order’ has been expropriated by populist, authoritarian and doctrinaire regimes, almost always and nearly everywhere in the service of arbitrary and unjust rule. By and large this handbook does not include such regimes. But ‘law’ itself a...
Hailey Bachrach reveals how Shakespeare used female characters in deliberate and consistent ways across his history plays. Illuminating these patterns, she helps us understand these characters not as incidental or marginal presences, but as a key lens through which to understand Shakespeare's process for transforming history into drama. Shakespeare uses female characters to draw deliberate attention to the blurry line between history and fiction onstage, bringing to life the constrained but complex position of women not only in the past itself, but as characters in depictions of said past. In Shakespeare's historical landscape, female characters represent the impossibility of fully recovering voices the record has excluded, and the empowering potential of standing outside history that Shakespeare can only envision by drawing upon the theatre's material conditions. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
This unique collection explores the complex issue of vigilantism, how it is represented in popular culture, and what is its impact on behavior and the implications for the rule of law. The book is a transnational investigation across a range of eleven different jurisdictions, including accounts of the Anglophone world (Australia, Britain, Canada, and the United States), European experiences (Germany, Greece, Italy, Poland, and Portugal), and South American jurisdictions (Argentina and Brazil). The essays, written by prominent international scholars in law, sociology, criminology, and media studies, present data, historical and recent examples of vigilantism; examine the national Laws and jur...
When the tough-on-crime politics of the 1980s overcrowded state prisons, private companies saw potential profit in building and operating correctional facilities. Today more than a hundred thousand of the 1.5 million incarcerated Americans are held in private prisons in twenty-nine states and federal corrections. Private prisons are criticized for making money off mass incarceration—to the tune of $5 billion in annual revenue. Based on Lauren-Brooke Eisen’s work as a prosecutor, journalist, and attorney at policy think tanks, Inside Private Prisons blends investigative reportage and quantitative and historical research to analyze privatized corrections in America. From divestment campaig...
A historian uncovers the long-running affair between a famous 19th century author and a female conservationist—through love letters written in code. The Unitarian minister, author, and peace activist Edward Everett Hale was one of the most respected moral leaders of the Gilded Age and Progressive Era. Yet, for twenty-five years, he lived a double life. Harriet Freeman worked for a time as Hale’s secretary, but as they make abundantly clear in some 3,000 love letters, they were also lovers—and perhaps even soul mates. Hale’s many biographers depicted his marriage as unerringly faithful, despite the available evidence to the contrary. Now historian Sara Day corrects the record with this fascinating chronicle of Hale and Freeman’s secret romance. With extensive research into the lives of both figures, Day also succeeds in cracking the lovers’ code.
This Element attends to attention drawn away. That the Globe is a 'distracted' space is a sentiment common to both Hamlet's original audience and attendees at the reconstructed theatre on London's Bankside. But what role does distraction play in this modern performance space? What do attitudes to 'distraction' reveal about how this theatre space asks and invites us to pay attention? Drawing on scholarly research, artist experience, and audience behaviour, This Distracted Globe considers the disruptive, affective, phenomenological, and generative potential of distraction in contemporary performance at the Globe.
Now's not the time to pussyfoot around the issues. In this game, you've got to be brave enough to name and shame. For too long, many of the companies, governments, and individuals claiming to do the most are nowhere near walking their talk. They've put up beautiful window dressing to distract from all the horrible stuff happening inside their houses. Behind the scenes, these groups' actions hold back the very progress they claim to support. We've been treated like fools, falling into the trap of believing their lies and refusing to question their sincerity. Greenwashing is the result.
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 76 is 'Digital and Virtual Shakespeare'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/publications/collections/cambridge-shakespeare. This searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.