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This edition offers the first English translation of Amalia Holst's daring book, On the Vocation of Woman to Higher Intellectual Education (1802). In one of the first works of German philosophy published under a woman's name, Holst presents a manifesto for women's education that centres on a basic provocation: as far as the mind is concerned, women are equal partakers in the project of Enlightenment and should thus have unfettered access to the sciences in general and to philosophy in particular. Holst's manifesto resonates with the work of several women writers across Europe, including Olympe de Gouges, Mary Wollstonecraft, and Germaine de Sta?l. Yet in contrast to the early works of femini...
"In his book, Dag Blanck analyzes how Swedish American identity was constructed, maintained, and changed in the Augustana Synod from 1860 to 1917. The author poses three fundamental questions: How did an ethnic identity develop in the Augustana synod? Of what did that ethnic identity consist? Why did that ethnic identity come into being?" "[summary]"--Provided by publisher
At once a mystery of detection, a family history, and a rite of passage, Blood and Village traces the lives of the author's parents from the closing years of the 19th century in a small South German town to the New York neighborhoods where they raised their family. Why did they leave their bucolic village, the author asks, why them and so few others? In what sense did the village die after they left? And in having left, why did the village still have such a hold over them all their lives? In his search for some answers, the author delves into the social history of this Swabian village and describes his own return to its people, vineyards, pastures, and orchards. Along the way he ruminates on his father's World War I service and on his mother's trip back to the village in the turbulent summer of 1934, on his life in the 1940s and 1950s as a first-generation American, and on how the U.S. Navy and his research interests in physics brought him back to the village of his parents.
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This book charts the entrance of women into public writing in the culturally vibrant world of late eighteenth-century Germany. It gives an absorbing account of the failed autobiography of Friderika Baldinger; the successful fiction, disguised self-narratives, and innovative monthly of Sophie La Roche; the praised poetry of Philippine Englehard; the controversial journalism and novels of Marianne Ehrmann; and the poems and prose about love and suicide by Sophie Albrecht. The book offers a feminist reassessment of the relationship of texts by these eighteenth-century German women writers to traditional literary history and traces how the women changed the cultural discourse of their day.
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