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The Queen's Mirror
This exciting and comprehensive anthology?the first anthology of German women's fairy tales in English?presents a variety of published and archival fairy tales from 1780 to 1900. These authors of these stories used fairy tales to explain their own lives, to teach children, to examine history, and to critique society and the status quo. Powerful and conflicted females are queens, girls on quests, mothers, daughters, magical wisewomen, and midwives to the fairies; they love, hate, murder, save children, fight tyranny, overcome cannibals, and rescue the working poor. ø Jeannine Blackwell's introduction places the tales in their historical, social, and critical context, and Shawn C. Jarvis's afterword presents a thematic analysis of the texts and approaches to reading them in conjunction with other European and American tales.
Wolf Graf Baudissin (1789-1878)
The first English-language biography of the man behind the scenes who made the German Shakespeare possible and brought Molière's plays to life for the German stage. Baudissin's life sets a mirror to his age: born with the French Revolution, spanning from feudal nobility to the age of industry, from Napoleon's Empire to the Germany of Bismarck, in youth revering Goethe, upholding the German Romantics yet at ease with Realists and championed in old age by Freytag; devoted to Bach and the piano, friend of the Schumanns, Chopin, Mendelssohn, his family bridging to Brahms. From diplomat to dedicated translator, committed to his family, to Holstein, and to Dresden high culture, his is a legacy of sheer human goodness.
Schumann's Virtuosity
“A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.
Fashion in the Fairy Tale Tradition
This book is a journey through the fairy-tale wardrobe, explaining how the mercurial nature of fashion has shaped and transformed the Western fairy-tale tradition. Many of fairy tale’s most iconic images are items of dress: the glass slippers, the red capes, the gowns shining like the sun, and the red shoes. The material cultures from which these items have been conjured reveal the histories of patronage, political intrigue, class privilege, and sexual politics behind the most famous fairy tales. The book not only reveals the sartorial truths behind Cinderella’s lost slippers, but reveals the networks of female power woven into fairy tale itself.
Schumann and His World
We know Robert Schumann in many ways: as a visionary composer, a seasoned journalist, a cultured man of letters, and a genius who, having passed his mantle on to the young Brahms, succumbed to mental illness in 1856. Drawing on recent pathbreaking research, this collection offers new perspectives on this seminal nineteenth-century figure. In Part I, Leon Botstein and Michael P. Steinberg assess Schumann's efforts to place music at the center of German culture, in public and private sectors. Bernhard R. Appel offers a probing source study of one of Schumann's most personal works, the Album für die Jugend, Op. 68, while John Daverio considers the generic identity of Das Paradies und die Peri,...
The Correspondence of Elizabeth Stuart, Queen of Bohemia, Volume II
The Correspondence of Elizabeth Stuart is the first complete edition of Elizabeth Stuart's letters ever published. Volume II covers the years between 1632 and 1642: Elizabeth's life as a widow controlling the regency during her eldest son's minority and imprisonment.
Clara Schumann Studies
Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany.
Collective Creativity
Collective Creativity combines complex and ambivalent concepts. While ‘creativity’ is currently experiencing an inflationary boom in popularity, the term ‘collective’ appeared, until recently, rather controversial due to its ideological implications in twentieth-century politics. In a world defined by global cultural practice, the notion of collectivity has gained new relevance. This publication discusses a number of concepts of creativity and shows that, in opposition to the traditional ideal of the individual as creative genius, cultural theorists today emphasize the collaborative nature of creativity; they show that ‘creativity makes alterity, discontinuity and difference attrac...
Woman's Work in Music
The Church of Rome, though admitting no women to a share in performing its services, has yet made a woman the patron saint of music. The religions of antiquity have paid even more homage to the weaker sex in the matter, as the multitude of musical nymphs and fostering goddesses will show. Of Saint Cecilia herself little is known accurately. The very apocryphal legend states that about the year 230 a noble Roman lady of that name, who had been converted to Christianity, was forced into an unwilling marriage with a certain Valerian, a pagan. She succeeded in converting her husband and his brother, but all were martyred because of their faith. This it is stated, took place under the Prefect Alm...
