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The Tower of London
In 1900, Soseki came to England as a foreign student for three years. When he returned to Japan he wrote the volume of stories known as 'The Tower of London': a witty, vividly experienced account of his visit.
Ten Nights' Dreams
"Ten Nights' Dreams is a collection of ten short stories or dreams. Among the ten nights, the first, second, third, and fifth nights start with the same sentence, "This is the dream I dreamed." Each dream has a surrealistic atmosphere. Some are funny, and others are grotesquely weird. Did Soseki try to express what he actually dreamed? Or was his subconscious emerging spontaneously in the form of narrative dream?"--Page 4 of cover
Inside My Glass Doors
Originally published as Garusudo no Uchi in daily serialization in the Asahi newspaper in 1915, before appearing in book form, this is the first time Inside My Glass Doors has been published in English. It is a moving literary reminiscence, a collection of thirty-nine autobiographical essays penned a year before the author's death. Written in the genre of shohin (little items), the personal vignettes provide a kaleidoscopic view of Natsume Soseki's private world and shed light on his concerns as a novelist. Readers are at once ushered into Soseki's book-lined study, in his residence in Kikui-cho, as he muses on his present situation and reflects on the past. The story is filled with flashbac...
Rediscovering Natsume Sōseki
First publication in English of Soseki’s travels through Manchuria on the then recently-acquired South Manchurian Railway. 6-week travelogue including boat from Osaka to Dairen, railway up the Liaodong Peninsular to Fushun. Many descriptions of Manchuria. It is a lively, informative and sometimes very funny narrative, which reveals Soseki's wit and Western-style humour in observing the human condition, as well as the literary techniques that characterize his subsequent achievements in shaping the modern Japanese novel. The Introduction by Inger Sigrun Brodey provides both a new perspective on Soseki the man and writer, as well as an insightful commentary on the SMR journey itself and the place of the travelogue in Soseki's writings. A selection of Sammy Tsumematsu's collection of previously unpublished photographs of Soseki is also included.
Soseki Natsume's I Am A Cat: The Manga Edition
Japan's beloved literary masterpiece brought to life in manga form! Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle-class Japanese society in early 20th century Tokyo. Written with biting wit and sardonic perspective, it follows the whimsical adventures of a rather cynical stray kitten. He finds his way into the home of an English teacher, where his running commentary on the follies and foibles of the people around him has been making readers laugh for more than a century. This is the very first manga edition in English of this classic piece of Japanese literature. The story lends itself well to a graphic novel format, allowing readers to pick up on the more subtle cues of the expressive cat, while also being immersed in the world of his perceptive narration. It is true to classic manga form, and is read back to front. Beautifully illustrated by Japanese artist Chiroru Kobato, this edition provides a visual, entertaining look at a unique period in Japan's history--filled with cultural and societal changes, rapid modernization and a feeling of limitless possibility--through the eyes of an unlikely narrator.
Sōseki
Natsume Sōseki (1867–1916) was the father of the modern novel in Japan, chronicling the plight of bourgeois characters caught between familiar modes of living and the onslaught of Western values and conventions. Yet even though generations of Japanese high school students have been expected to memorize passages from his novels and he is routinely voted the most important Japanese writer in national polls, he remains less familiar to Western readers than authors such as Kawabata, Tanizaki, and Mishima. In this biography, John Nathan provides a lucid and vivid account of a great writer laboring to create a remarkably original oeuvre in spite of the physical and mental illness that plagued h...
The Beauty of Everyday Things
The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty. In an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.
Three Cornered World
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Bulletin
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Reflections in a Glass Door
Much has been written about Natsume Soseki (1867–1916), one of Japan’s most celebrated writers. Known primarily for his novels, he also published a large and diverse body of short personal writings (shohin) that have long lived in the shadow of his fictional works. The essays, which appeared in the Asahi shinbun between 1907 and 1915, comprise a fascinating autobiographical mosaic, while capturing the spirit of the Meiji era and the birth of modern Japan. In Reflections in a Glass Door, Marvin Marcus introduces readers to a rich sampling of Soseki’s shohin. The writer revisits his Tokyo childhood, recalling family, friends, and colleagues and musing wistfully on the transformation of h...
