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Set to Music a Wildfire
Poetry. Middle Eastern Studies. Winner of the 2016 Michael Waters Poetry Prize. In Lebanon during the civil war, a teenage boy and his family witness leveled cities, displaced civilians, the aftermath of massacres. Resources are scarce and uncertainty is everywhere. What does it mean to survive? To leave behind a home torn apart by war? To carry the burden of what you've seen across an ocean? These poems follow a man in search of security as he leaves his country for America, falls in love, and becomes a single father to three daughters. Through the perspective of one man, his family, and even his country, SET TO MUSIC A WILDFIRE explores the violence of living, the guilt of surviving, the loneliness of faith, and the impossible task of belonging.
Pine
Poetry. LGBTQIA Studies. Pine maps a secret relationship between two women in the South, where certain kinds of desire --queer desire, in particular --have historically been hidden and feared. Creating new landscapes of identity by reimagining form, modifying villanelles, sonnets, elegies, thank-you notes, and dictionary entries, Pine's imagistic and metaphorical associations between the body and the natural world form a queer ecology of longing and loss.
Into the Cyclorama
Poetry. Asian & Asian American Studies. Winner of the 2015 Michael Waters Poetry Prize. Every history has its holes, every landscape its vanishing point. Fathers and brothers disappear. A bronze helmet winds across centuries from Olympia to Berlin to Seoul. Fish bones turn to thorns in the native tongue. In these poems that explore identity, family, and the hunger to know what can't be known, we discover both vividly recreated scenes and the rips in the canvas. We enter works like the 19th-century Gettysburg Cyclorama at the heart of this book, asking: What art can we make out of violence? What shape from loss? Like snow that leaves no trace in the photographed garden, INTO THE CYCLORAMA ans...
Crimes in Southern Indiana
Welcome to Heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling. Frank Bill's Southern Indiana is haunted by a deep, abiding sense of place, and his people are men and women pressed to the brink - and beyond. They are survivors, and in Frank Bill's hands, their stories bristle with noir energy.
The Spinning Place
"In a lyrical narrative approach, The Spinning Place thinks about the ordinary astonishment of birth, motherhood, and the limitations upon our ability to express such experiences, especially the limits of the body and language. The redemptive vision of this collection expands and contracts, from the cosmic to the intense intimacy of a marriage or a mother and child"--
And If the Woods Carry You
Winner of the 2020 Michael Waters Poetry Prize. On the brink of climate catastrophe, a mother grappling with her choice to bring children into an apocalyptic world sends her daughters into the woods of fairy tale as a rite of initiation. The woods carry her fears of extinction--devastating fires, rising seas, and the predatory dangers of girlhood--but also contain the transformative magic of love, interdependence, and renewal. AND IF THE WOODS CARRY YOU roots into the wild heart of motherhood, where worry and wonder intertwine. Poetry. California Interest. Women's Studies.
The Marriage of the Moon and the Field
Poetry. "The poems in Sunni Wilkinson's THE MARRIAGE OF THE MOON AND THE FIELD show us history, affection, private struggle, and the common life with a kind of grave, irony-tinged happiness that is rare in the poetry of our time. Her poems turn away from complaint, as though she had set out to reveal instead the domestic life of intelligence in all its color, warmth, and depth. This is a very fine debut volume, worth treasuring; and more are sure to follow."�Christopher Howell "There is much of wonder in a first book of poems: a new voice, a freshness, other ways of being and believing. And so it is with Sunni Brown Wilkinson's THE MARRIAGE OF THE MOON AND THE FIELD. There are marvelous po...
Ornament
In this debut collection, Anna Lena Phillips Bell explores the foothills of the Eastern U.S., and the old-time Appalachian tunes and Piedmont blues she was raised to love. With formal dexterity—in ballads and sonnets, Sapphics and amphibrachs—the poems in Ornament traverse the permeable boundary between the body and the natural world.
Teratology
Publishes original reports of studies in all areas of abnormal development and related fields. It also welcomes reviews of topics of current significance and letters discussing papers that have appeard in Teratology or that deal with controversial scientific matters of interest to its readers.
Horse Crazy
"This story, if it is one, deserves the closure of a suicide, perhaps even the magisterial finality of what is usually called a novel, but the remnants of that faraway time offer nothing more than a taste of damp ashes, a feeling of indeterminacy, and the obdurate inconclusiveness of passing time." So writes the unnamed narrator of Horse Crazy, looking back on a season of madness and desire. The first novel from the brilliant, protean Gary Indiana, Horse Crazy tells the story of a thirty-five-year-old writer for a New York arts and culture magazine whose life melts into a fever dream when he falls in love with the handsome, charming, possibly heroin-addicted, and almost certainly insane Gregory Burgess. In the derelict brownstones of the Lower East Side in the late eighties, among the coked out restauranteurs and art world impresarios of the supposed "downtown scene," the narrator wanders through the fog of passion. Meanwhile, the AIDS epidemic is spreading through the city, and New York friendships sputter to an end. Here is a novel where the only moral is that thwarted passion is the truest passion, where love is a hallucination and the gravest illness is desire.
