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Your Voice Speaks Volumes
Why do we speak the way we do, and what do our voices tell others about us? What is the truth behind the myths that surround how we speak? Jane Setter explores these and other fascinating questions in an accessible and engaging account that will appeal to anyone interested in how we use our voices in daily life.
Speaking Volumes
How did a fishmonger’s son from Tyneside, growing up in the 1950s with a Geordie accent, become the person who recorded over 900 audiobooks and received an MBE from the Queen in the Birthday Honours of 2017? This ‘charming’, ‘entertaining’ and ‘heart-warming’ memoir answers that question. Reviews: AudioFile magazine “...not simply a reader but an artist of the spoken word...” “...Gordon Griffin, an entire acting company in one person...” “Witty and moving memoir of how a working-class boy becomes THE voice of the spoken word. Honest and vivid account plus excellent advice for those of us who work with words.” Miriam Margolyes
Speaking Volumes
Ramona Koval has been praised as a master of the interview genre, renowned for engaging writers in conversations that are incisive, provocative, and often funny. In this new collection, Speaking Volumes: conversations with remarkable writers, she shares the most fascinating interviews from her 2005 book Tasting Life Twice, along with brand-new ones with some of the most important writers of our times. Through Koval, we are privy to the extraordinary minds of Joseph Heller, Joyce Carol Oates, Mario Vargas Llosa, Saul Bellow, Norman Mailer, David Malouf, P. D. James, John Mortimer, Ian McEwan, Amos Oz, Gore Vidal, Harold Pinter, John le Carré, Barry Lopez, Malcolm Bradbury, William Gass, Judith Wright, Les Murray, Fay Weldon, A. S. Byatt, Margaret Drabble, Martin Amis, Toni Morrison, André Brink, John Banville, Jeanette Winterson, Hanif Kureishi, and Anne Enright, among others.
Speaking Volumes
An interdisciplinary study of women and language in England in the late eighteenth and early nineteenth centuries, Speaking Volumes focuses on the connections that contemporaries made between speech and reading. It studies the period's discourses on 'woman's language' and contrasts them with the linguistic practices of individual women. The book also argues that the oral performance of literature was important in fostering domesticity and serving as a means for women to practise authoritative speech. Utilizing a range of evidence gleaned from language texts, schoolbooks, diaries, letters, conduct books, and works of literature (notably the novels of Jane Austen), the author shows how eighteenth-century English women strategically used the stereotype of 'woman's language' while insisting implicitly that gender was not always the most salient feature of their identities.
The Frequency of Magic
Raphael is a would-be author, but there have been so many distractions to the novel he has been writing for forty-one years that many of the characters have lost patience and gone off to do their own thing...but somehow, miraculously, the novel seems to write itself. The Frequency of Magic traverses an array of lives connected to the village of Million Hills. There's the speculative imagination of Luke's travels through mythic landscapes pursued by his nemesis, the carnival figure of the Great Bandit. There's the psychological odysseys of the musician, a jazz saxophonist, and Ella, an actor, both long separated from Million Hills, working their ways across the USA and Europe. When the paths of these exiles cross, a love affair begins. Time in this richly ambitious novel is both circular and simultaneous, but moving, as Raphael ages, towards a sense of dissolution both of persons and of the culture of the village. Above all, there is Raphael's belief that in the making of his fiction, however messy and disobedient its materials, art can both challenge the destructive passage of time and make us see reality afresh.
Speaking Volumes
This collection of essays by the classicist Alessandro Barchiesi examines Ovid and his 'rationalistic art of illusion' along with intertextuality in Latin literature more generally, and in the wider context of the Graeco-Roman tradition.
The Boy who Loved Books
A memoir in the tradition of Lorna Sage's Bad Blood and Blake Morrison's When Did You Last See your Father? John Sutherland's childhood ended abruptly the day his father was killed at the beginning of World War Two - happily before he could kill any Germans. John's widowed mother fell in love with a new man and decamped to Argentina, leaving John to be looked after by various relatives - some more suited to raising children than others. It was an odd, unsettled childhood and John took refuge in books. He quickly learned how to fit in without disturbing people, and, in doing so, began to store up resentments as a child. These resentments, with the trigger of alcohol in later life, would one d...
Speaking Volumes
Koval has been praised as a master of the interview genre, renowned for engaging writers in conversations that are incisive, provocative and downright funny. In this collection, she shares the most fascinating interviews from her 2005 book Tasting Life Twice, along with brand new interviews with some of the most important writers of our times.
Speaking Volumes
This volume examines orality and literacy in the ancient Greek and Roman world through a range of perspectives and in various genres. Four essays on the Homeric epics present recent research into performative aspects of language, cognitive theory and oral composition, a re-evaluation of Parry's oral-formulaic theory, and a new perspective on the poem's transmission. These are complemented by studies of the oral nature of Greek proverbial expressions, and of poetic authority within a fluid oral tradition. Two essays consider the significance of the written word in a predominantly oral culture, in relation to star calendars and to Panathenaic inscriptions. Finally, two chapters consider the ongoing influence of oral tradition in the ancient novel and in Roman declamation. These essays illustrate the importance of considering ancient texts in the context of fluctuating oral and literate influences.
