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The Architect traces the role of the profession across the centuries and in different cultures, showing the architect both as designer and as mediator between the client and the builder.
The book is about the universal phenomenon of citymaking seen in a historical perspective - how and why cities took the shape they did. It focuses on a number of themes - organic patterns, the grid, the city as a diagram, the grand manner, and the skyline - and moves through time and place to interpret the hidden order inscribed in urban patterns.
How did architects get to be architects in any given period in history? How were they trained? How did they find their clients and communicate with them? What did society think of them?. Spiro Kostof's The Architect, a collection of essays by historians and architects, explores these and other intriguing questions about the profession of architecture. The first book in more than fifty years to survey the profession from its beginnings in ancient Egypt to the modern day, it is the most complete synthesis to date of our knowledge of how the architect's profession developed. Included are a major study of the Beaux-Arts, a vivid memoir by the distinguished architect Josephy Esherick, and an excellent chapter on women which demostrates how the ethic of professionalism has contributed to the exploitation of women in this as in many other professions. The Architect places the current dilemma about the architect's role in society in historical perspective and offers a good overview of the development of one of the world's oldest professions.
Moving from the historical and cultural overviews of the city, Kostof descends into the streets, sidewalks, squares, markets, and waterfronts and presents a detailed urban anatomy. The book is organized thematically around the structural phenomena of cities, the city edge, the street, public space, the marketplace, and the realities of cultural and economic segregation.
Written by the author of A History of Architecture, America by Design is a beautifully illustrated survey of America's built environment that stresses the historical perspective, viewing architecture in its social context. 280 black-and-white and 20 color photographs.
This groundbreaking study traces the development of Roman architecture and its sculpture from the earliest days to the middle of the 5th century BCE. Existing narratives cast the Greeks as the progenitors of classical art and architecture or rely on historical sources dating centuries after the fact to establish the Roman context. Author John North Hopkins, however, allows the material and visual record to play the primary role in telling the story of Rome’s origins, synthesizing important new evidence from recent excavations. Hopkins’s detailed account of urban growth and artistic, political, and social exchange establishes strong parallels with communities across the Mediterranean. From the late 7th century, Romans looked to increasingly distant lands for shifts in artistic production. By the end of the archaic period they were building temples that would outstrip the monumentality of even those on the Greek mainland. The book’s extensive illustrations feature new reconstructions, allowing readers a rare visual exploration of this fragmentary evidence.
This collection of twenty-one essays, written by colleagues and former students of the architectural historian Spiro Kostof (1936-1991), presents case studies on Kostof's model of urban forms and fabrics. The essays are remarkably diverse: the range includes pre-Columbian Inca settlements, fourteenth-century Cairo, nineteenth-century New Orleans, and twentieth-century Tokyo. Focusing on individual streets around the world and from different historical periods, the collection is an inviting overview of the street as an urban institution. The theme of the volume is that the street presents itself as the basic structuring device of a city's form and also as the locus of its civilization. Each essay is a detailed investigation of a single urban street with unique historical conditions. The authors' shared concern regarding anthropological, political, and technical aspects of street making coalesce into a critical discourse on urban space. A fitting tribute to Spiro Kostof, this collection will be greatly admired by scholars and general readers alike.
This is the first urban history of Rome to span its entire three-thousand-year history. It examines the processes by which Rome's leaders have shaped its urban fabric by organizing space, planning infrastructure, designing ritual, controlling populations, and exploiting Rome's standing as a seat of global power and a religious capital.
The first edition of Architecture, Power, and National Identity, published in 1992, has become a classic, winning the prestigious Spiro Kostof award for the best book in architecture and urbanism. Lawrence Vale fully has fully updated the book, which focuses on the relationship between the design of national capitals across the world and the formation of national identity in modernity. Tied to this, it explains the role that architecture and planning play in the forceful assertion of state power. The book is truly international in scope, looking at capital cities in the United States, India, Brazil, Sri Lanka, Kuwait, Bangladesh, and Papua New Guinea.