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funny stories
The cartoon is a graphics art, which tells a funny and/or satiric story in form of an affirmative picture, mostly with a point. Normally no words are used for the picture joke – sometimes just keywords. The cartoon is a drawing, that often in a humoristic way comments or criticises conditions of political or social character. The cartoon should easily perceive, which situation, person or problematic is intended to be told by the cartoonist. Also human attributes and characters can be put down in an overdoing manner. Scouting – with all its all-round attitude towards clean, truthworthy and moral values offers quite a lot of opportunities for critics, comments and interpretations – in particular, if the way of the cartoon is put in a fair, never offending, discriminating or even insulting form.
Conceptual Joining
Dieses Buch untersucht experimentelle Ansätze für Entwurf und Umsetzung von Holzstrukturen in der Architektur und präsentiert zugleich die Resultate eines künstlerischen Forschungsprojekts. Durch den Einsatz digitaler Werkzeuge wird die Anatomie des Holzes als entwurfsbestimmendes Prinzip für Raumgefüge genutzt, das Potenzial traditioneller Handwerkskunst erforscht und daraus eine materialorientierte Architekturpraxis abgeleitet. Strukturen werden hier nicht für eine bestimmte Nutzung entworfen, sondern eröffnen aufgrund ihrer spezifischen räumlichen und geometrischen Eigenschaften unterschiedliche Möglichkeiten der Bespielung. Die Dokumentation gibt Einblick in einen ergebnisoffenen Forschungsprozess. Gastbeiträge reflektieren die zugrunde liegenden Konzepte und damit die zukünftige Relevanz des Baustoffs Holz.
MORE WATER LESS LAND NEW ARCHITECTURE
Climate change, and the inevitability of sea level rise, will require much more of us than simply pulling back from the coastline. The thesis of Weston Wright's More Water Less Land New Architecture is that we need to start thinking in an entirely different way about the relationship of cities to waterfront sites and of the relationship of buildings to water, which means rethinking many of architecture's implicit premises. If architecture has been confrontational with water—think bold towers erected beside the sea, as if to dare the water to challenge them—Wright's argument is that we will need to be modest, accommodating, and accepting of the power and presence of water if our cities ar...
Breaking Glass
Within a relatively short time, Augmented and Virtual Reality have emerged centre stage in architecture and the arts as novel means for exploring how their creative output is produced, mediated and experienced. Feeding the continuous spectrum between the "fully real" and the "fully virtual," the underlying technology of these media present machine-generated sensorial input where to date the image-based dominate. With these inputs, corporeal existence see "virtual" experiences thrown on the scale with "real" ones as the concepts and models for how we understand perceptional dynamics are shifting. While teasing the disciplines with creative opportunities, the use of the media presents a stagge...
The Detroit Great Game
This book is an attempt to define some mechanisms of architectural design practice, make them communicable and replicable in the form of a handbook-of-sorts. Within a game of strategy, twelve groups of architects work on adjacent and sometimes overlapping areas in an eastern district of the city of Detroit. The book employs the game and its results to elaborate on some questions: how does architectural design work as day-to-day practice? What are its effects, and how can they be measured? How is practice innovated, i.e. how do architects learn from, or capitalize on, previous effective action? "The Detroit Great Game presents a captivating and timely pedagogical experiment and offers a much-...
SAC Journal 2
MEDIATED ARCHITECTURE: Vivid, Effervescent and Nervous, the second issue of the SAC JOURNAL, presents three projects de- signed at SAC during the last eight years. The three projects are: The Theatre of Immanence (2007), an installation and exhibition project in Städelschule's Portikus gallery; Digital Bodies (2013-14), an experimental research project; and Orkhēstra (2014), which was an installation on a large, public square in Frankfurt and part of Luminale, 'Biennale of Lighting Culture'. The projects vary in scale and nature from gallery installation via laboratory-style modelling experiment to an urban intervention. They span a period in which architecture's contribution to the production of space has become increasingly me- diated by technology. Each in their own way, the three projects probe this condition and explore new design opportunities given to archi- tecture. The results are vivid, effervescent and nervous – and always a mediated architecture. Accompanying extensive portfolios of drawi- ngs and pictures that document the respective design processes and their results, are texts that expound on the theoretical and practical implications of each project
Garden State
GARDEN STATE - Cinematic Space and Choreographic Time is the third issue of the SAC JOURNAL and explores the garden as a utopia wherein time and space may be thought of in archi- tectural terms yet not easily deciphered against architecture's traditions and practices. The garden herein is a changeable and vulnerable condition, embodying the ephemerality of life, which in turn contrasts with the customary expectations of architec- ture's longevity. However, Garden State also engages with the contemporary arts, specifically video, cinema and ballet, and with it time and space open up with new, fragile dimensions. A choreographic framework emerges which is at once more precise yet loose, more r...
A New Manifold
A NEW MANIFOLD, the inaugural issue of SAC JOURNAL, addres- ses the increased specialisation and possible fragmentation of ex- pertise within architecture. Whilst historically always an amalgam of numerous forms of input, architecture is currently facing the necessi- ty to assimilate and process hitherto unknown amounts and rates of information flow. How can architecture relate to the emerging forms of specialisation within the discipline - not the least in its pedagogy and academic programmes? The issue uses the academic programme of the Städelschule Architecture Class to reflect on these questions. The work presented comprises the finalists for the AIV Master Thesis Prize 2013.
Culinary Lesson: The Space of Food
CULINARY LESSONS - The Space of Food is based on a series of events, Culinary Lessons, which were hosted by the Städelschule Architecture Class and which engaged with the relation between food, art and architecture. The series addressed the enormous so- cial, economic and cultural spaces that accompany the production and consumption of food, and attempted to unravel some of these spaces' structure and dynamics. The central ambition was to learn from culinary history and, not the least, the recent vanguard of culinary practice. No human activity is so encompassing and engenders such ef- fects on our societies and lives as the culinary. Culinary practices lay out aesthetic as much as ethical ...
Architects, Sustainability and the Climate Emergency
Architects, Sustainability and the Climate Emergency: A Political Ecology chronicles how architects have shaped their ideas of the city—and sustainability—as knowledge of the climate emergency has unfolded. Have architects responded to the climate crisis too slowly?
