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Manikin Plays
The plays in this collection reflect on the political and social issues of contemporary Indian society. Stone Idols retells the story of Buddha through the experience of an actress in a theatre group. The play addresses the complexities of self and identity while deconstructing the mythical story of Buddha. The Beauty Parlour shows the contradictions of an urban middle class girl who is victimized by the male gaze and market economy. The play is set in an Indian urban metropolis where the central character lives a life with tremendous pressure in terms of day-to-day living. The plays in this collection address the issues of sexuality and gender politics that are widespread in Indian social and cultural life. This is a rare collection of two plays with a rare combination of innovative style, literary brilliance and philosophical insights. The book includes critical essays and production photographs.
Kudiyattam Theatre and the Actor's Consciousness
This book explores the training methods, performance and aesthetics of Kudiyattam, the oldest existing theatre from in the world. It brings together for the first time a comprehensive analysis of the psycho-physical techniques employed by the actors in Kerala of this temple theatre form. The book offers an in-depth analysis of pakarnnattam, a unique acting technique that helps the actor to perform multiple characters in a single dramatic situation. This multiple transformational acting technique is highly relevant to enhance the actor¿s abilities such as imagination, spontaneity and improvisation. The book employs a range of theoretical models developed from performance studies, gender theo...
The Future of Beauty in Theatre, Literature and the Arts
In recent years, philosophical debate of the concept of beauty has seen a remarkable renaissance. The twelve essays presented in this book provide a broad basis for a thorough reassessment of the European traditions of beauty in the arts (fine arts, performing arts, media arts) and in literature and film, not as a return to some distant, and allegedly ideal past, but as a constructive means of realising the potential of the arts for the 21st century.
Restoration of Breath
Breath is the flow of air between life and death. Breathing is an involuntary action that functions as the basis of all human activities, intellectual, artistic, emotional and physical. Breathing is the first autonomous individual action that brings life into being and the end of breathing is the definitive sign of disappearance. Starting from the question how breathing affects the body, levels of consciousness, perception and meaning, this book, for the first time, investigates through a variety of philosophical, critical and practical models, directly and indirectly related to breath, aiming to establish breath as a category in the production and reception of meaning within the context of ...
The Natyasastra and the Body in Performance
The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies—epistemological, aesthetic, scientific, religious, ethnological and practical.
Women in Asian Performance
Women in Asian Performance offers a vital re-assessment of women's contributions to Asian performance traditions, focusing for the first time on their specific historical, cultural and performative contexts. Arya Madhavan brings together leading scholars from across the globe to make an exciting intervention into current debates around femininity and female representation on stage. This collection looks afresh at the often centuries-old aesthetic theories and acting conventions that have informed ideas of gender in Asian performance. It is divided into three parts: erasure – the history of the presence and absence of female bodies on Asian stages; intervention – the politics of female intervention into patriarchal performance genres; reconstruction – the strategies and methods adopted by women in redefining their performance practice. Establishing a radical, culturally specific approach to addressing female performance-making, Women in Asian Performance is a must-read for scholars and students across Asian Studies and Performance Studies.
Performing Mountains
Launching the landmark Performing Landscapes series, Performing Mountains brings together for the first time Mountain Studies and Performance Studies in order to examine an international selection of dramatic responses to mountain landscapes. Moving between different registers of writing, the book offers a critical assessment of how the cultural turn in landscape studies interacts with the practices of environmental theatre and performance. Conceived in three main parts, it begins by unpicking the layers of disciplinary complexity in both fields, before surveying the rich history and practice of rituals, playtexts and site specific works inspired by mountains. The last section moves to a unique analysis of mountains themselves using key concepts from performance: training, scenography, acting and spectatorship. Threaded throughout is a very personal tale of mountain research, offering a handrail or alternative guide through the book.
Mimetic Desires
Through an exploration of subjects such as Gandhi impersonators, performance artists, and ritual participants, Mimetic Desires makes an intervention toward understanding the phenomenon of impersonation and guising in South Asia and the world. This volume defines impersonation as the temporary assumption of an identity or guise in social and aesthetic performance that is perceived as not one’s own, and guising as sartorial and kinetic play more generally. Interrogating the legitimacy of the purported dialectic between the “real/original” and “fake/dupe,” Mimetic Desires refutes the ordering of identity along the lines of a binary or dichotomy that presupposes the myth of an original...
Breathing with Luce Irigaray
Contributors to this volume consider the implications of 'the Age of Breath': a spiritual shift in human awareness to the needs of the other figured through breathing. Awareness of the breath allows us to attend to our bodies and the bodies of others, to animals, nature, other cultures, oppressed minorities, and the other of sexual difference. As a way to connect body and spirit, self and other, nature and culture, and East and West, breathing emerges as the significant theological and philosophical gesture of our time. Philosophy has too often cut off metaphysical thought from this living, breathing world with its animal and female bodies, just as religious traditions have repressed the breathing flesh in favour of calcified word. The re-introduction of breath into philosophy and theology draws our awareness back to the body, to respect for the other, and to nature, making awareness of the breath essential for an embodied ethics of difference in our globalized, ecological age. These themes are addressed by an international team of scholars, including Luce Irigaray.
Body and Performance
12 contemporary approaches to the human body that are being used by performers or in the context of performance training.
