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Joseph of Nazareth Through the Centuries
"A profusely illustrated book of collected essays by a distinguished group of international scholars. This volume survey the development in art, spirituality, and literature of the veneration of St. Joseph from the New Testament through the Church Fathers, Middle Ages, and Early Modern period, to the early 20th century."--Publ. description.
Creed and Culture
None
On Christian Iconography
An introduction to Pacheco's writings on the decorum of religious painting -- Of the order, decency and decorum that invention ought to follow -- In which the matter of decorum is continued -- In which the approval of the painting of the Last Judgment and the subject of decorum is concluded -- Important counsels on a number of sacred histories, regarding the truth and correctness with which they should be painted in accordance with the Divine Scriptures and the Holy Doctors -- In which counsels on the painting of sacred histoiries are continued -- In which the counsels on sacred paintings are continued -- On the truthful paintings of some of the best known of the saints -- In favor of painting the four nails with which Christ our Redeemer was crucified -- In which the thought and approval of these two letters is given be learned men that examined and approved them
Crimson and Gray
None
St. Joseph in Italian Renaissance Society and Art
"Detecting numerous occasions when Joseph is invoked for protection from plague, foreign invasion, and threat to the Church, the author emphasizes the contemporary currency - in both theology and art - of the Maria-Ecclesia typology and concomitant conceptualization of St. Joseph as heroic protector of Mary and the Church. Here challenged are the long-held view of the saint's unimportance prior to the Counter Reformation and old assumption that pre-Tridentine images were often intended to demean him."--BOOK JACKET.
Creating the Cult of St. Joseph
St. Joseph is mentioned only eight times in the New Testament Gospels. Prior to the late medieval period, Church doctrine rarely noticed him except in passing. But in 1555 this humble carpenter, earthly spouse of the Virgin Mary and foster father of Jesus, was made patron of the Conquest and conversion in Mexico. In 1672, King Charles II of Spain named St. Joseph patron of his kingdom, toppling St. James--traditional protector of the Iberian peninsula for over 800 years--from his honored position. Focusing on the changing manifestations of Holy Family and St. Joseph imagery in Spain and colonial Mexico from the sixteenth through eighteenth centuries, this book examines the genesis of a new s...
Annotations and Meditations on the Gospels: The infancy narratives
CD-ROM accompanying vol. 1 contains ... "high resolution scans of all 153 engravings of Gospel episodes from the 1607 edition of Nadal's Annotations and Meditations on the Gospels." -- v. 1, p. [ix].
Fort St. Joseph Revealed
Fort St. Joseph Revealed is the first synthesis of archaeological and documentary data on one of the most important French colonial outposts in the western Great Lakes region. Located in what is now Michigan, Fort St. Joseph was home to a flourishing fur trade society from the 1680s to 1781. Material evidence of the site--lost for centuries--was discovered in 1998 by volume editor Michael Nassaney and his colleagues, who summarize their extensive excavations at the fort and surrounding areas in these essays. Contributors analyze material remains including animal bones, lead seals, smudge pits, and various other detritus from daily life to reconstruct the foodways, architectural traditions, c...
Satire, Veneration, and St. Joseph in Art, C. 1300-1550
Satire, Veneration, and St. Joseph in Art, c. 1300.1550 is the first book to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts alone. The book challenges humor's perception as a mere teaching tool for the laity and the antithesis of 'high' veneration and theology, a divide perpetuated by Counter-Reformation thought and the inheritance of Mikhail Bakhtin (Rabelais and His World, 1965). It reveals how humor, laughter, and material culture played a critical role in establishing St. Joseph as an exemplar in western Europe as early as the thirteenth century. Its goal is to open a new line of interpretation in medieval and early modern cultural studies by revealing the functions of humor in sacred scenes, the role of laughter as veneration, and the importance of play for pre-Reformation religious experiences.
