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Welcome to the Suck
  • Language: en
  • Pages: 192

Welcome to the Suck

  • Type: Book
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  • Published: 2011
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  • Publisher: Unknown

A thoughtful and timely discussion contemporary war literature and films.

Cormac McCarthy and Performance
  • Language: en
  • Pages: 253

Cormac McCarthy and Performance

Drawing on Cormac McCarthy's recently opened archive, as well as interviews with several of his collaborators, this book presents the first comprehensive overview of McCarthy's writing for film and theater, as well as film adaptations of his novels.

Violence in Literature
  • Language: en
  • Pages: 241

Violence in Literature

Our oldest stories are about conflict. This collection draws together discussions of violence in storytelling from a number of perspectives. Historical contexts range from ancient Greece to postcolonial Africa to the American West, and topics considered include the role of the witness, how place affects our understanding of conflict, the aestheticization of violence, how trauma is written on the body, and contemporary war stories.

Books Are Made Out of Books
  • Language: en
  • Pages: 357

Books Are Made Out of Books

Cormac McCarthy told an interviewer for the New York Times Magazine that "books are made out of books," but he has been famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy is well aware of literary tradition, respectful of the canon, and deliberately situating himself in a knowing relationship to precursors. The Wittliff Collection at Texas State University acquired McCarthy's literary archive in 2007. In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines the archive to identify nearly 150 writers and thinkers that M...

The Hero and the Victim
  • Language: en
  • Pages: 304

The Hero and the Victim

How American fiction represents soldiers--and soldier criminality--in depictions of the Iraq War

The Philosophy of War Films
  • Language: en
  • Pages: 539

The Philosophy of War Films

Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen. In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and...

The Cambridge Companion to Literature of the American West
  • Language: en
  • Pages: 293

The Cambridge Companion to Literature of the American West

This Companion provides a comprehensive introduction to the literature of the American West, one of the most vibrant and diverse literary traditions.

A Bloody and Barbarous God
  • Language: en
  • Pages: 432

A Bloody and Barbarous God

13: " In All That Dark and All That Cold": Good and Evil in No Country for Old Men -- 14: "All Things of Grace and Beauty": The Presence of the Sacred in The Road -- Notes -- Works Cited -- Index -- Back Cover

The Oxford Handbook of Warfare in the Classical World
  • Language: en
  • Pages: 822

The Oxford Handbook of Warfare in the Classical World

"Offers six exemplary case studies of Greeks and Romans at war, thoroughly illustrated with detailed battle maps and photographs"--Provided by publisher.

Cormac McCarthy and the Myth of American Exceptionalism
  • Language: en
  • Pages: 370

Cormac McCarthy and the Myth of American Exceptionalism

  • Type: Book
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  • Published: 2013-01-11
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  • Publisher: Routledge

This overview of McCarthy’s published work to date, including: the short stories he published as a student, his novels, stage play and TV film script, locates him as a icocolastic writer, engaged in deconstructing America’s vision of itself as a nation with an exceptionalist role in the world. Introductory chapters outline his personal background and the influences on his early years in Tennessee whilst each of his works is dealt with in a separate chapter listed in chronological order of publication.