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Drawing in Silver and Gold
This exhibition is a once-in-a-lifetime opportunity to see around 100 exceptional drawings created using the exquisite metalpoint technique. It features works by some of the greatest artists working from the late 14th century to the present including Rogier van der Weyden, Petrus Christus, Leonardo da Vinci, Raphael, Albrecht Dürer, Hans Holbein the Elder, Lucas van Leyden, Rembrandt, Edward Burne-Jones, William Holman Hunt, Otto Dix, Jasper Johns and Bruce Nauman. Works drawn from the British Museum's superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection.--British Museum website.
The Gingerbread House
THE STORY: Brian and Stacey want a better life, the life they deserve. Raising two children has left them unsatisfied, running back and forth endlessly from work to Little League games. To advance their careers and penetrate the secretive ranks of
Gavin and Stacey
Gavin & Stacey (plus friends) take you on a tour of their home towns, showing you the world of their hit BBC comedy series as you've never seen it before.
Picturing the Book of Nature
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visu...
Dutch Art
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Insects and Colors between Art and Natural History
This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel’s glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied ...
From Lived Experience to the Written Word
"This book focuses on how literate artisans began to write about their discoveries starting around 1400: in other words, it explores the origins of technical writing. Artisans and artists began to publish handbooks, guides, treatises, tip sheets, graphs and recipe books rather than simply pass along their knowledge in the workshop. And they tried to articulate what the new knowledge meant. The popularity of these texts coincided with the founding of a "new philosophy" that sought to investigate nature in a new way. Smith shows how this moment began in the unceasing trials of the craft workshop, and ended in the experimentation of the natural scientific laboratory. These epistemological developments have continued to the present day and still inform how we think about scientific knowledge"--
Rembrandt's Roughness
Roughness is the sensual quality most often associated with Rembrandt's idiosyncratic style. It best defines the specific structure of his painterly textures, which subtly capture and engage the imagination of the beholder. Rembrandt's Roughness examines how the artist's unconventional technique pushed the possibilities of painting into startling and unexpected realms. Drawing on the phenomenological insights of Edmund Husserl as well as firsthand accounts by Rembrandt's contemporaries, Nicola Suthor provides invaluable new perspectives on many of the painter's best-known masterpieces, including The Anatomy Lesson of Dr. Deyman, The Return of the Prodigal Son, and Aristotle with a Bust of Ho...
Jan van Eyck within His Art
A new assessment of the inventive and influential artist Jan van Eyck. Jan van Eyck (1390–1441) was one of the most inventive and influential artists in the entire European tradition. The realism of his paintings continues to astound observers more than six centuries on, even though our world is saturated by high-resolution images. However, viewers today are as like to be absorbed by Van Eyck’s personality as his realism. While he sometimes directly painted himself into his works, he also suggested his presence through an array of inscriptions, signatures, and even a personal motto. Incorporating a wealth of new research and recent discoveries within a fresh exploration of the paintings themselves, this book reveals how profoundly Jan van Eyck transformed the very idea of what an artist could be.
Albrecht Dürer
An exploration of the life and works of German artist Albrecht Dürer and his self-obsession. The Italian Renaissance birthed the modern sense of self, and no artist from the period compares with Albrecht Dürer (1471–1528) in terms of the almost obsessive interest he displayed in his own life. Dürer’s works are filled with personal details from his day-to-day, his dreams, and his escapades. In this brief biography, David Ekserdjian explores Dürer’s life and times—his studies, travels, and influences—as well as his paintings, drawings, and prints. This book is essential reading for anyone interested in Renaissance or Northern European art.
