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This collection of essays by contemporary historians considers how after two centuries of scholarship we can best explain Christianity's rise to dominance.
In her book Barbarian or Greek?: The Charge of Barbarism and Early Christian Apologetics, Stamenka Antonova examines different aspects of the charge of barbarism in the Greek and Latin Christian apologetic texts (2-4th centuries) and the various responses to it by the early Christians. The author demonstrates that the charge of barbarism encompasses a broad range of meanings, such as low social class, inadequate education, immorality, criminal activity, political treason, as well as foreign ethnicity and language. In addition to contextualizing the charge of barbarism in ancient rhetorical practices, the author also applies literary criticism and post-colonial theory to shed light on the concept of the barbarian as an ideological-rhetorical tool for othering, marginalization and persecution in the Roman Empire.
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
With a combination of essay-length and short entries written by a team of leading religious experts, the two-volume Encyclopedia of Eastern Orthodoxy offers the most comprehensive guide to the cultural and intellectual world of Eastern Orthodox Christianity available in English today. An outstanding reference work providing the first English language multi-volume account of the key historical, liturgical, doctrinal features of Eastern Orthodoxy, including the Non-Chalcedonian churches Explores of the major traditions of Eastern Orthodoxy in detail, including the Armenian, Byzantine, Coptic, Ethiopic, Slavic, Romanian, Syriac churches Uniquely comprehensive, it is edited by one of the leading...
Based on the acclaimed two-volume Encyclopedia of Eastern Orthodox Christianity (Wiley Blackwell, 2011), and now available for students, faculty, and clergy in a concise single-volume format An outstanding reference work providing an accessible English language account of the key historical, liturgical, doctrinal features of Eastern Orthodoxy, including the Non-Chalcedonian churches Explores the major traditions of Eastern Orthodoxy in detail, including the Armenian, Byzantine, Coptic, Ethiopic, Slavic, Romanian, Syriac churches Uniquely comprehensive, it is edited by one of the leading scholars in the field and provides authoritative articles by a team of leading international academics and Orthodox figures Spans the period from Late Antiquity to the present, encompassing subjects including history, theology, liturgy, monasticism, sacramentology, canon law, philosophy, folk culture, architecture, archaeology, martyrology, and hagiography Structured alphabetically and is topically cross-indexed, with entries ranging from 100 to 6,000 words
The private letters of ancient women in Egypt from Alexander the Great to the Arab conquest
This book explores the cultural and religious politics of the contemporary food movement, starting from the example of Jewish foodies, their zeal for pig (forbidden by Jewish law), and their talk about why ignoring traditional precepts around food is desirable. Focusing on the work of Michael Pollan, Jonathan Schorsch questions the modernist, materialist, and rationalist worldview of many foodies and discusses their lack of attention to culture, tradition, and religion.
The collegia centonariorum were often seen as the municipal fire-brigades or status groups of sorts in the Roman cities. Through a close investigation of the chronological development and geographical distribution of the collegia centonariorum, their legal privileges, and the prosopographical data of members and patrons, this volume reveals a much more complex picture of their origins, characters and compositions in various regions from the first century BC to the fourth century AD. Intricately connected with the textile economy, the collegia centonariorum illustrate how elements as diverse as material demand from the military and the city of Rome, legal infrastructure, urban development, and organizations of urban-based craftsmen and tradesmen may have interfaced with each other in the Roman world.
Inspired by Richard Wagner’s idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Polina Dimova’s At the Crossroads of the Senses traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but al...