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Between 1878 and 1881, Standish O’Grady published a three-volume History of Ireland that simultaneously recounted the heroic ancient past of the Irish people and helped to usher in a new era of cultural revival and political upheaval. At the heart of this history was the figure of Cuculain, the great mythic hero who would inspire a generation of writers and revolutionaries, from W. B. Yeats and Lady Augusta Gregory to Patrick Pearse. Despite the profound influence O’Grady’s writings had on literary and political culture in Ireland, they are not as well known as they should be, particularly in view of the increasingly global interest in Irish culture. This critical edition of the Cucula...
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"Standish O'Grady (1846-1928) is best remembered as the 'Father of the Irish Literary Revival'. Critics of have long puzzled, however, about the turns and contradictions of the 'Fenian-unionist's' thinking. This book offers an intellectual biography of O'Grady, tracing the tortuous development and influence of his ideas.It presents a new study of O'Grady's early historical and political works and, for the first time, a comprehensive overview of O'Grady's writing for the All Ireland Review. He edited the review between 1900 and 1907, the most prolific period of his writing life. This writing led O'Grady into many curious schemes, culminating in his turn to anarchism and promotion of 'Estates of the New Order', a plan to build communes in the Irish countryside.The portrait of the enigmatic writer contextualizes his role in the rise of Irish nationalism and explores the complexities of political and social affiliations during the first, formative decade of the twentieth century"--
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Cuculain and his friends are historical characters, seen as it were through mists of love and wonder, whom men could not forget, but for centuries continued to celebrate in countless songs and stories. They were not literary phantoms, but actual existences; imaginary and fictitious characters, mere creatures of idle fancy, do not live and flourish so in the world's memory. And as to the gigantic stature and superhuman prowess and achievements of those antique heroes, it must not be forgotten that all art magnifies, as if in obedience to some strong law; and so, even in our own times, Grattan, where he stands in artistic bronze, is twice as great as the real Grattan thundering in the Senate. I will therefore ask the reader, remembering the large manner of the antique literature from which our tale is drawn, to forget for a while that there is such a thing as scientific history, to give his imagination a holiday, and follow with kindly interest the singular story of the boyhood of Cuculain, "battle-prop of the valour and torch of the chivalry of the Ultonians."