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The complete story of Behrens' contribution to the history oftwentieth-century architecture.
Whether historians or architects (and several have trained in both areas), the essayists all share the belief that contemporary concerns about architecture affect the way history is constructed. Because they view architecture as a body of knowledge evolving over time, they have resisted the wholesale espousal and rejection of modernism that has often polarized the examination and practice of architecture in the second half of this century.
Eladio Dieste pioneered building with reinforced masonry in his native Uruguay. For most of his career he built industrial & public structures, small churches & farm buildings. Often standing apart from the mainstream architectural world, Dieste never lost sight of the modest people for whom he was building.
This book presents one of the most outstanding private collections of 20th-century American art in the world and tells the story of how the collection evolved and eventually found a new home at Stanford University. Jackson Pollock, Helen Frankenthaler, Willem de Kooning, Richard Diebenkorn, Frank Stella—these are just some of the artists represented in the renowned Anderson Collection, a large portion of which was recently gifted to Stanford University, and for which a new museum building is being constructed. Featuring 121 artworks, the book includes scholarly essays on the collectors, the collection, and the individual artists and artworks represented in this significant postwar and contemporary collection. The book offers a fascinating insight into the world of art collecting, curating, research, and philanthropy, as well as a magnificent sampling of works from some of America’s greatest artists.
A remarkable meditation on the topography of the modern city, A Shout in the Street offers a close and sensitive examination of four urban landscapes--London, Paris, Leningrad, and New York. Peter Jukes pursues the essence of these international metropolises in an assemblage comprised of his own evocative essays, excerpts from modern masters of the essay form such as Benjamin, Barthes, and Sontag, and period photographs. A Shout in the Street, with a keenly cinematic eye, searches out not just the glittering facades, but the vitality of thoroughfares and neighborhoods.
Aalto built three major works in America that counted among the most important in his career - the Finland Pavilion at the New York World's Fair, Baker House at MIT and the Library at Mount Angel Abbey, Oregon. This text deals with the complex nature of Aalto's experience with America.