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A Stanley Burnshaw Reader
A Stanley Burnshaw Reader brings together selections from the major works of poetry and prose that have distinguished Burnshaw as one of the most important voices in twentieth-century letters. Included are essays from Burnshaw's two pioneering critical works: The Seamless Web, praised by the New York Times Book Review as “a defense of poetry that removes it from the realm of man's spiritual luxuries and places it preeminently among his instruments of survival”, and The Poem Itself, a book that deals with forty-five poets of the last century in an entirely novel way which, as Lionel Trilling observed, “allows the Englishspeaking reader an unprecedented intimacy with poems in the original tongues.” Along with a generous excerpt from Robert Frost Himself, this volume offers a representative selection of Burnshaw's poetry and his translations of other poets' work. A Stanley Burnshaw Reader affords those unfamiliar with Burnshaw an ideal introduction to his work. At the same time, readers who know his writings will discover new insights into his long and distinguished career.
The Collected Poems and Selected Prose
Stanley Burnshaw began to publish poems in the 1920s and founded his own verse journal in 1925. After serving as coeditor and drama critic of the New Masses weekly (1934-1936), he entered book publishing, directing the Dryden Press until 1958, when he joined Henry Holt. The first of his nineteen earlier works, André Spire and His Poetry, appeared in 1934 and the last in 1990, A Stanley Burnshaw Reader, with an introduction by Denis Donoghue. The present volume—the definitive Burnshaw collection—offers all the poems he wishes to preserve and a full representation of his prose, including My Friend, My Father in its entirety. The Collected Poems and Selected Prose is vital reading for anyone wishing to be fully acquainted with the man whom Karl Shapiro called "one of the best-respected men of letters of our time."
The Seamless Web
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The Poem Itself
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Robert Frost Himself
Combines memoir, biography, literary history, and critical study to explore the life and work of Robert Frost, discussing his personal relationships, religion, political views, poems, and more.
The Modern Hebrew Poem Itself
A collection of modern Hebrew poetry that presents the poems in the original Hebrew, with an English phonetic transcription. In this new and expanded edition of a classic volume first printed in 1965, The Modern Hebrew Poem Itself adds the dynamic voices of a new generation of Hebrew poets. Each poem appears in both its original Hebrew and an English phonetic transcription, along with extensive commentary and a literal English translation. This offers readers who know little or no Hebrew a way to experience the poem in a multi-faceted way--they are able to speak and hear the lines as well as grasp the poem's meaning. Recognizing that poems have a unique order that may be missed by a reader who doesn't speak the poet's language, the editors provide the reader with an understanding of not only what the poet is saying, but how the idea is communicated. Also included in the volume is a valuable introduction to and historical overview of Hebrew poetry from 1880-1990. The Modern Hebrew Poem Itself is a must-have for lovers of poetry and Jewish literature.
A Poetry of Two Minds
In his long-awaited first book of prose, poet and essayist Sherod Santos takes a compelling look into some of poetry’s deepest secrets, an investigation that leads him to the surprising conclusion that poems have minds of their own, minds often inaccessible even to the one who composed them. In these essays, Santos explores not only what he thinks about poetry but also what and how poetry thinks about itself. His writings range across the history of Western poetry, from formative classical myths to modern experimental forms, and touch on subjects as diverse as the rhetorical history of cannibalism, the political and cultural uses of translation, and the current state of American poetry. Al...
Exiles from a Future Time
With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens ...
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