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Tahirih Qurratu’l-‘Ayn, The Divine Female Spirit of the Age dawned upon the Earth in 1844 after thousands of years of rejection. She announced that She is the long awaited Mother Source, The Trumpet Blast, The Word of the Godhead, The Most Great Spirit that would bring the Great Reversal in which Humanity would no longer be separated from Source and the meek would inherit the Earth. The male-dominate Society rejected Her once again and called for Her Death. Prior to Her martyrdom She called out: “You can try and kill Me, but you cannot stop the emancipation of Women, nor can you kill the Spirit of the Godhead!” Thus, today Her Voice rings out again for those who have an ear! “Saffa...
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Tahirah Thealogy rips the veil off the premise by most world religions that Messengerhood is a bonding of a male God with a male Manifestation.
"Although Aaron Copland (1900-1990) is often credited with creating an unmistakably American musical style, he was strongly attracted to the music of Gustav Mahler. Drawing extensively on archival and musical materials, this is the first detailed exploration of Copland's multifaceted relationship with Mahler's music and its lasting consequences for music in America. Matthew Mugmon demonstrates that Copland, inspired by Mahler's example, blended modernism and romanticism in shaping a vision for American music in the twentieth century, and that he did so through his multiple roles as composer, teacher, critic, and orchestral tastemaker. Copland's career-long engagement with Mahler's music intersected with Copland's own Jewish identity and with his links to such towering figures in American music as Nadia Boulanger, Serge Koussevitzky, and Leonard Bernstein"--
In a fascinating collection of interviews, renowned author Maxine Hong Kingston talks about her life, her writing, and the role of Asian-Americans in our history. As her books always hover along the hazy line between fiction and memoir, she clarifies the differences and exults in the difficulties of distinguishing between the remembered and the re-created.
Annotation Originally offered in two separate volumes, this staple of Georgetown University Press's world-renowned Arabic language program now handily provides both the English to Arabic and Arabic to English texts in one volume.