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Over the past four years the Royal Fine Arts Museums of Belgium have undertaken a huge research
Includes entries for maps and atlases.
This volume contains eighteen articles dealing with the "reception" of Classical art and architecture in the Scandinavian countries, mainly Denmark, from the Renaissance onwards. This volume is the publication of an interdisciplinary seminar held at the University of Copenhagen 1988 with the participation of archaeologists and art historians.
Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, Jan. 15-Apr. 3, 2005.
During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window fro...
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
I denne bog på 18 kapitler giver idehistoriker Lars Morell en samlet oversigt over den aarhusianske kunsthistorie fra guldalderen til i dag. På basis af 11 års forskning har Morell fundet frem til både de væsentligste og de mange glemte kunstnere og kunstnersammenslutninger, som gennem 200 år har udgjort kunstlivet i Aarhus. I 200 års kunst i Aarhus kan han derfor fortælle den ofte dramatiske historie om kunstnernes kamp for at opnå anerkendelse i provinsbyen, som først langsomt blev en kulturby, ligesom han fremlægger det uforkortede forhold om kunstlivet i dialog og konflikt med det københavnske ditto. 200 års kunst i Aarhus omfatter også gallerier og kunsthandlere, litografiske trykkerier, kunstkritikere og kunstforeninger og er forsynet med omfattende litteraturlister og navneregister.
This catalogue explores the workings of Rembrandt's studio in the form of drawings made by the master himself and fifteen of his pupils.