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Apotheosis of the North
Despite its enormous extent and impact, the Swedish scholarship produced in the context of Olof Rudbeck's monumental 'Atlantica' (4 vols, 1679-1702) has hitherto escaped attention outside Scandinavia. The present volume explores the numerous disciplines that comprised this, one of the last, but grandest appropriations of the classical heritage in early modern times. In the decades around 1700, dozens of scholars all around the Baltic Sea embarked on studies of classical and Norse mythology, material remains and antiquities, of languages, botany and zoology as well as biblical scholarship, in order to reveal the primordial status of ancient Sweden. Fusing together numerous disciplines within Rudbeck's elaborate and all-encompassing epistemological framework, they gave to a nation that had advanced to the rank of a European superpower a narrative of a glorious past that matched its contemporary pretentions. Presenting case studies stretching from the 17th to the 19th century and across a wide number of fields, this volume traces the extent and longue durée of one of the most fascinating and underestimated episodes in European intellectual history.
Boreas rising
For a long time studies on northern antiquarianism have focused on individual nations. This volume introduces this phenomenon in a transnational perspective. In the course of the 17th and 18th centuries, the Baltic Sea was at the centre of a culture of debate, whose networks encompassed numerous European centres of learning. When the countries around the Baltic began to explore their own antiquities in this period, the prevailing climate of competition between Sweden, Denmark, Russia and the German countries soon permeated the construction and presentation of their own pasts. Exploring the ancient literatures and monuments of Iceland, Sweden or Denmark, studying runic writings or the Sami tr...
The Art and Culture of Scandinavian Central Europe, 1550–1720
Politically and militarily powerful, early modern Scandinavia played an essential role in the development of Central European culture from the sixteenth to the eighteenth century. In this volume, Kristoffer Neville shows how the cultural ambitions of Denmark and Sweden were inextricably bound to those of other Central European kingdoms. Tracing the visual culture of the Danish and Swedish courts from the Reformation to their eventual decline in the eighteenth century, Neville explains how and why they developed into important artistic centers. He examines major projects by figures largely unknown outside of Northern Europe alongside other, more canonical artists—including Cornelis Floris, Adriaen de Vries, and Johann Bernhard Fischer von Erlach—to propose a more coherent view of this part of Europe, one that rightly includes Scandinavia as a vital component. The seventeenth century has long seemed a bleak moment in Central European culture. Neville’s authoritative and unprecedented study does much to change this perception, showing that the arts did not die in the Reformation and Thirty Years’ War but rather flourished in the Baltic region.
The Precursors of Proto-Indo-European
The Precursors of Proto-Indo-European contains sixteen contributions that offer the newest insights into the prehistory of Proto-Indo-European, taking the Indo-Anatolian and the Indo-Uralic hypotheses as their point of departure.
Odins Imperium: Der Rudbeckianismus als Paradigma an den skandinavischen Universitäten (1680–1860) (2 vols.)
From a modern point of view, the four volumes of the Atlantica of Olaus Rudbeck the elder (1630-1702) seem to be not only the climax of Gothicism, but a key example of an early modern polymath. In Odins Imperium Bernd Roling reconstructs Rudbeck’s immense influence at Scandinavian universities, the debates he provoked, his manifold reception in early modern academic culture and the role Rudbeckianism played as paradigm of science until the Swedish romanticism of the 19th century. Taking into account all branches of science, Bernd Roling illustrates in detail Rudbeck’s majestic impact on antiquarianism, national mythology, and also on religious sciences and linguistics, but also documents the massive criticism the scholar from Uppsala received almost immediately. See inside the book.
Punkt, Linie, Fläche
Betr. u.a. Werke von Johannes Itten und Paul Klee.
Arch + [i.e. plus]
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Bauhaus 1919-1933
The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers in an extraordinary conversation about modern art. Bauhaus 1919-1933, published to accompany a major multimedia exhibition at MoMA, is the first comprehensive treatment of the subject by MoMA since 1938 and offers a new generational perspective on the 20th century's most influential experiment in artistic education. It brings together works in a broad range of mediums, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theatre and costume design, and painting and sculpture - many of which have rarely if ever been seen outside of Germany. Featuring about 400 colour plates and a rich range of documentary images, this publication includes two overarching images by the exhibition's curators, Leah Dickerman and Barry Bergdoll, concise interpretive essays on key objects by over twenty leading scholars, and an illustrated, narrative chronology.
The Weimar Republic Sourcebook
Reproduces (translated into English) contemporary documents or writings with an introduction to each section.
